Jan Slothouber & William Graatsma (Dutch c20th+)
Five rare modular cubes from the 1970s.
The Dutch team of Slothouber & Graatsma established themselves from the 1950s as artist/designers with the cube form as their key motif around which they developed various principles of cubic construction alongside multiples and variations thereof. Despite its restrictions they admired the cube for its clarity of form. They applied their thinking around it to a variety of objects, and artworks from small jewellery-scale 3d models and games to larger installation works.
Highly driven personalities, they considered themselves as discoverers of ‘the many applications of the democratic system of cubics’; a system that would ostensively act to counter the rise of the expressive individualism in post-WWII culture. (They later established the CCC_the Center for Cubic Constructions as a forum for promoting their ideas).
Due to their diverse and multidisciplinary output they were never to become global names – But they were a highly respected creative team (representing The Netherlands at the Venice Biennale in 1970)…Donald Judd for one was a great admirer of their work.
Bas van Pelt (Netherlands, 1900-1945)
EMS, My Home. 1930s
Bas Van Pelt design modernist chair – The chair has been confirmed by the Bas van Pelt archives as being as a possible prototype and if not, a very rare design. Bas van Pelt often designed experimental furniture to place in the shop window and would only have the designs produced when the appropriate number of orders were received.
Bas van Pelt began his shop ‘My Home’ in The Hague, Netherlands in 1931 and within a short period the company opened showrooms in other cities such as Maastricht and Amsterdam. The domestic interior design firm focused on producing high-quality modern interior furniture. Eventually right up until into the 1990s Bas van Pelt furniture and fabrics were also sold throughout The Netherlands and beyond by well-known modernist suppliers and manufacturers such as Thonet, D3, LOV and Gispen.
W.(Wim) Den Boon (Netherlands, 1912-1968)Pair of triangular side tables, 1950s
chromed steel and formica board.
The Dutch architect Wim Den Boon alongside Hein Stolle and Pierre Kleykamp formed the ‘Group&’ in the period shortly after WWII as part of the Dutch ‘Goed Wonen’ (Good living) movement. They focused on designing purist interior furniture and design that fitted in seamlessly with the functionalist designs of the thirties.
By the 1950s Den Boon broke with ‘Group &’ and established himself as an independent furniture designer in The Hague. From that time and throughout the 60s he was responsible for many interiors and renovation projects, particularly in The Hague. These two tables (one shown) were designed as part of the interiors of one of those projects – The tables can be seen within the complete interior of a house in the images of Peter Voge’s biography of Den Boon.
As seen, the design of these tables was ahead of its time – There are visible influences of Rietveld and De Stijl or even the Scandinavian designs of Kjaerholm. At his best Den Boon designed some of the most futuristic interiors during the 1950s. His furniture is rare to find and most of it can only be experienced through photographic documentation.
Ref: Peter Voge “Wim Den Boon Binnenhuisarchitect”
Gerard Geytenbeek (Dutch mid-c20th)
A rare children’s multifunctional toy/chair.
Designed in 1964 for Schilte & Zoon, Ijsselstein, Holland.
Massimo Vignelli (Italy, 1931-2014)
Venini, Murano, Italy in 1957-60
A very rare soft tone yellow ‘Fungo’ Mushroom Lamp designed by Massimo Vignelli.
This is the middle size of the three sizes manufactured (25cm high)
JJP Oud (Netherlands 1890-1963)
Very rare JJP Oud chair from the director’s room of the Shell Oil company building, completed just after WWII in The Hague /1950.
Probably manufactured by HP Mutters & Sons or Eckhart’s meubelfabrik – Two companies that manufactured other known pieces from the building, now in the Boijman museum collection in Rotterdam.
The chair/design and the design of the interior from which it came is fully documented in Elizabeth Reinhartz-Tergau’s excellent book on the architect published by Boijman van Beuningen museum in 1990 /p.155. (See image 2 which shows the documented image below the supporting text)
Stockmann Orno AB. 1960s.
The design mostly attributed nowadays to Lisa Johansson-Pape although it was most probably by Olof Ottelin.
“…in 1965-66, around 20 years after Pape left the Stockmann furniture department and went to Orno to start a career in lighting design. A move that was intended to be temporary, but eventually took over her passion and the rest of her long bright career” (Haddadindesign/ Instagram page 24/12/17)
Solid pine wood – Table and four chairs.
Rare large sized dining table (99 x 87 x 72.5cm) and four stools (35 x 35 x 43.5). This early production set is in superb condition having just the right colour and patina from regular use as would be desired. A rare set.