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Hein Stolle (Netherlands, 1924-2006)

Original painted plywood wall cabinet. 1950s

In the reconstruction period after the second world war, the Dutch architect and furniture designer Hein Stolle experimented with new materials and techniques for the cost effective mass-production of furniture. As a furniture designer, Stolle was a member of Groep & (which comprised Wim den Boon, Hein Stolle and Pierre Kleykamp, 1946-1950). In the early 1950s Stolle designed furniture for the distinguished department stores de Bijenkorf and Metz & Co, often in cooperation with Martin Visser. And in the 1950s and ‘60s he also designed various pieces of furniture for furniture factory ’t Spectrum.

Unique modernist wall cabinet was made for a 1953 exhibition Ons Huis, ons t’huis, (Our House, us at Home) held at De Bijenkorf warehouse in Amsterdam. The cabinet was exhibited at Wonderwood gallery’s exhibition of Stolle’s work in 2004 shortly before his death.

POA.

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Literature: Hein Stolle Architect Verteller Meubelontwerper  Publisher: Wonderwood, 2004 (book as illustrated above)

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Alvar Aalto (Finland 1898-1976)

x2 Model 66 chairs and table

Finmar labels to the underside of the table and to one of the chairs (the other shows evidence of where the label once was).

Each piece has a very good period colour and shows patina of wear and tear as would be expected and hoped for. The Finmar labels are recognised evidence of them being early edition genuine 1930s examples.

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(please see our other posts for more Aalto Finmar furniture)

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Jan van Bommel (Dutch mid c20th)

Unique table.

The Dutch architect Jan van Bommel designed this table as part of a private commission in the 1950s in Rotterdam. The table was purchased directly from the first owner.

Solid teak top with steel and wooden legs.

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Aldo van Eyck (Netherlands, 1918-1999)

Wall mounted modernist bench.

Rexine over wooden structure with painted steel supports.

This is 1 of 2 Dutch commissioned 1950s wall mounted benches designed by architect Aldo Van Eyck. Some provenance available. The bench is thought to have been designed and made as a private commission in the 1950s.

Aldo van Eyck was an award winning architect from the Netherlands and a member of CIAM. He was one of the most influential protagonists of the Structuralist architectural movement. Van Eyck lectured throughout Europe and northern America propounding the need to reject Functionalism and attacking the lack of originality in most post-war Modernism. Van Eyck’s position as co-editor of the Dutch magazine Forum helped publicise the “Team 10” call for a return to humanism within architectural design.

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Marcel Breuer (Hungarian, 1902-1981)

Isokon Long Chair (early 1960s production) – Upholstered plywood

The Hungarian-born, modernist architect and furniture designer was one of the masters of Modernism. Breuer extended the sculptural vocabulary he had developed in the carpentry shop at the Bauhaus into a personal architecture that made him one of the world’s most popular architects at the peak of 20th-Century design.

Breuer came to Britain in the mid-1930s following the closure of the Bauhaus by the Nazis. He became acquainted with Jack Pritchard the owner of Isokon, who suggested he design furniture for the company. Pritchard had become interested in the plywood designs of Alvar Aalto and wanted to produce similar furniture himself. The Long Chair was an adaptation of a previous design for an aluminium framed chaise Breuer had produced in 1932.

The Long Chair was designed by Breuer for the British Isokon company in 1935-36 and is considered one of the most important pieces of furniture to emerge from the inter-war modern movement.

In 1968, Pritchard licensed John Alan Designs, based in Camden, London to produce the Long Chair – John Alan manufactured the chair according to larger measurements in order to make the chair more 60s-friendly. This chair is thought to pre-date that period as it still retains the older smaller measurements. The upholstery is showing distinct signs of age and use.

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Poul Kjaerholm (Denmark, 1929-1980)

Pk101 candelabrum for Kold Christensen. 1956.

Brushed steel. Stamped ‘Denmark’. According to Michael Sheridan’s catalogue raisonne on Kjaerholm, the double-helix design of the PK101 illustrates Kjaerholm’s desire to emulate abstraction and economy of form found in the plant kingdom. The thin steel rods attached to the central tube exploit the high tensile strength of steel to reduce the rods to their minimum diameter. The rods were threaded at both ends in order to support a set of rings sized to fit the typical Danish candle commonly used at Christmas.

Together with this candelabrum we are including a set of small ball shaped candles with an extending section to fit the rings of the candelabrum – The candles are designed by Timo Sarpanava.

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