P1240589

Stockmann Orno AB. 1960s.

The design mostly attributed nowadays to Lisa Johansson-Pape although it was most probably by Olof Ottelin.

…in 1965-66, around 20 years after Pape left the Stockmann furniture department and went to Orno to start a career in lighting design. A move that was intended to be temporary, but eventually took over her passion and the rest of her long bright career” (Haddadindesign/ Instagram page 24/12/17)

Solid pine wood – Table and four chairs.

Rare large sized dining table (99 x 87 x 72.5cm) and four stools (35 x 35 x 43.5). This early production set is in superb condition having just the right colour and patina from regular use as would be desired. A rare set.

POA.

http://www.merzbau.co.uk

 

 

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P1240468

Elmar Berkovich (Nl. 1897-1986)

Low table for Metz & Co. 1930s. Painted wood/ plywood and glass.

Elmar Berkovich was a leading furniture designer and interior designer in the Netherlands in the period 1925-1965. Before the Second World War he was employed by the Metz & Co company in Amsterdam, then at Philips in Eindhoven. In his interior assignments for large complexes such as factories, offices and hospitals, his attention was mainly focused on the ambiance, the lighting and the use of colour.

POA.

http://www.merzbau.co.uk / http://www.merzbau.vpweb.co.uk

P1230399P1230436

Alvar Aalto (Finland 1898-1976)

x2 Model 66 chairs and table

Finmar labels to the underside of the table and to one of the chairs (the other shows evidence of where the label once was).

Each piece has a very good period colour and shows patina of wear and tear as would be expected and hoped for. The Finmar labels are recognised evidence of them being early edition genuine 1930s examples.

POA.

(please see our other posts for more Aalto Finmar furniture)

http://www.merzbau.co.uk

websitehttp://www.merzbau.vpweb.co.uk

Please click on the Merzbau logo (top left) to see all of our current listings.

p1160986

 

Marcel Breuer (Hungarian, 1902-1981)

B10 table for Thonet.

A modernist table composed of an eight section chrome plated frame supporting a wooden table top.

The B 10 table was designed by Marcel Breuer in 1927 for his own company Standard Möbel, and since 1930 the piece has been manufactured by Thonet under the same designation. This is an early production circa 1930s (although the top has been restored at some point) The colour is a very pale blue/green. There is no Thonet company badge/label.

67 x 74 x 74 cm

POA.

http://www.merzbau.co.uk

website: http://www.merzbau.vpweb.co.uk

please click on the Merzbau logo (top left) to see all of our current listings.

P1230399P1230436

Alvar Aalto (Finland 1898-1976)

x2 Model 66 chairs and table

Finmar labels to the underside of the table and to one of the chairs (the other shows evidence of where the label once was).

Each piece has a very good period colour and shows patina of wear and tear as would be expected and hoped for. The Finmar labels are recognised evidence of them being early edition genuine 1930s examples.

POA.

(please see our other posts for more Aalto Finmar designs including four stools and an armchair)

http://www.merzbau.co.uk

websitehttp://www.merzbau.vpweb.co.uk

Please click on the Merzbau logo (top left) to see all of our current listings.

 

bossche-school-side-table-by-jan-de-jong-dom-hans-van-de-laan-1-copyimg_0381

Jan de Jong (Nl, 1917-2001)  / Dom Hans van der Laan (Nl, 1904-1991)

high table (two available) – Green stained wood with nails.

During the reconstruction period after WWII the Dutch architect Jan de Jong and the Dutch Benedictine monk Dom Hans van der Laan collaborated on several architectural projects including the interior furniture. They created an outstanding body of work defining the the style of the Bossche School. Jan de Jong was able to translate many of Dom v.d.Laan’s idealised concepts and ideas into pioneering buildings and spaces. They worked in such close collaboration however that it is difficult to discern the individual level of input into the furniture they designed. The artist Wim van Hoof worked with the two architects proposing different colour schemes for their projects. The original olive green surface visible on these tables derived from one of those schemes.

Dom Hans van der Laan (1904-1991) was a Dutch Benedictine monk and architect. He was a leading figure in the Dutch ‘Bossche School’. His theories on numerical ratios in architecture, in particular regarding the plastic number, were very influential.

Jan de Jong (1917-2001) was a talented craftsman-architect and student of v.d. Laan and it is claimed that in many way he surpassed his mentor.

These tables are part of a collection of furniture that we have acquired. They were made for Sint Willibrordus church in Almelo in the 1960s (full provenance including photos of the pieces in-situ. is available). The church was one of the best examples of modernist churches of the era. Unfortunately it was knocked down in 2005.

http://www.vanderlaanstichting.nl/en/domhansvanderlaan/biography

What I do, I do not want, and what I want, I can not do” [Dom Hans v.d.Laan]

POA.

http://www.merzbau.co.uk

website: http://www.merzbau.vpweb.co.uk

please click on the Merzbau logo (top left) to see all of our current listings.