P1270742

Wim Rietveld (NL. 1924-1985)

‘Mosquito’ table Model 535 for Gispen. All original and in very good condition.

Wim Rietveld the son of Gerrit Rietveld transformed many of his fathers ideas in the mid-c20th towards the mass markets. His designs manufactured by companies like Gispen, Auping and De Cirkel were promoted in the 1950s by the Goed Wonen movement (Good living movement).

POA.

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Hein Stolle (Netherlands, 1924-2006)

Original painted plywood wall cabinet. 1950s

In the reconstruction period after the second world war, the Dutch architect and furniture designer Hein Stolle experimented with new materials and techniques for the cost effective mass-production of furniture. As a furniture designer, Stolle was a member of Groep & (which comprised Wim den Boon, Hein Stolle and Pierre Kleykamp, 1946-1950). In the early 1950s Stolle designed furniture for the distinguished department stores de Bijenkorf and Metz & Co, often in cooperation with Martin Visser. And in the 1950s and ‘60s he also designed various pieces of furniture for furniture factory ’t Spectrum.

Unique modernist wall cabinet was made for a 1953 exhibition Ons Huis, ons t’huis, (Our House, us at Home) held at De Bijenkorf warehouse in Amsterdam. The cabinet was exhibited at Wonderwood gallery’s exhibition of Stolle’s work in 2004 shortly before his death.

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Literature: Hein Stolle Architect Verteller Meubelontwerper  Publisher: Wonderwood, 2004 (book as illustrated above)

p1150865

Aldo van Eyck (Netherlands, 1918-1999)

Wall mounted modernist bench.

Rexine over wooden structure with painted steel supports.

This is 1 of 2 Dutch commissioned 1950s wall mounted benches designed by architect Aldo Van Eyck. Some provenance available. The bench is thought to have been designed and made as a private commission in the 1950s.

Aldo van Eyck was an award winning architect from the Netherlands and a member of CIAM. He was one of the most influential protagonists of the Structuralist architectural movement. Van Eyck lectured throughout Europe and northern America propounding the need to reject Functionalism and attacking the lack of originality in most post-war Modernism. Van Eyck’s position as co-editor of the Dutch magazine Forum helped publicise the “Team 10” call for a return to humanism within architectural design.

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