Hein Stolle (Netherlands, 1924-2006)
The Dutch architect Hein Stolle alongside Wim De Boon and Pierre Kleykamp formed the ‘Group&’ in the period shortly after WWII as part of the Dutch ‘Goed Wonen’ (Good living) movement. They focused on designing purist interior furniture and design that echoed the spirit of 1930s functionalist design but made available to a wider audience.The use of softer woods and natural materials was possibly influenced by French designers like Charlotte Perriand.
Extremely rare (1 of only a few made) armchair with adjustable back produced for De Bijenkorf 1948 by the Dutch company ‘t Spectrum.
Pine frame with rattan seat and back.
Dutch modernist work desk
1930s. Designer/ manufacturer unknown.
Unknown designer/maker (still researching this). Possibly H.Pander & Sons ~ Fer Semej, Elmar Berkovich or Paul Bromberg? We are currently researching this desk. Gerrit Rietveld was also reputed to have designed a few private commissions in bright colours although we would not be so bold as to attribute it to him).
It has its original paintwork that has faded in places to a tangerine/ coral colour. It has a grey/green cloth top surface. It shows some signs of age and use as would be expected and would benefit from some TLC.
Dutch modernist reception desk. Circa 1930s-50s.
Painted steel. Beech wood slats and composite stone top.
The exact provenance of this desk is unknown but it reputedly came out of a shop/store in Amsterdam during the mid-c20th. It has affinities with Gerrit Rietveld’s designs of the era.
It shows signs of age and use – the rubber stops are very dry and worn, the steel has old over painting.
Some minor sympathetic restorations.
Hein Stolle (Netherlands, 1924-2006)
Small ‘Stolwijk’ table for ‘t Spectrum 1954-55
Original grey painted plywood and steel rod.
In the reconstruction period after the second world war, the Dutch architect and furniture designer Hein Stolle experimented with new materials and techniques for the cost effective mass-production of furniture. As a furniture designer, Stolle was a member of Groep & (which comprised Wim den Boon, Hein Stolle and Pierre Kleykamp, 1946-1950). In the early 1950s Stolle designed furniture for the distinguished department stores de Bijenkorf and Metz & Co, often in cooperation with Martin Visser. And in the 1950s and ‘60s he also designed various pieces of furniture for furniture factory ’t Spectrum.
This model (Stolwijk) was only produced for a very limited period in the mid-50s
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Ko Verzuu (Netherlands 1901-1971)
ADO wooden toy chairs – Circa. 1930s
Between 1925 and 1955 influenced by the Dutch Modernist De Stijl painters and designers Ko Verzuu designed many children’s toys. His designs were inextricably bound up with innovations in art, health care and pedagogy in the first half of the 20th century. In 1920, the sanatorium Berg en Bosch was founded in the sanctuary on the outskirts of Apeldoorn. This sanatorium offered rest and care to tuberculosis patients.
Once patients had recovered from their illness, returning to regular working life often proved to be difficult. In order to prepare patients better for their reintegration, the sanatorium developed a modern treatment: occupational therapy.
One of the ways this took shape was in the production of wooden toys. These toys were given the name ADO; an abbreviation that initially stood for Arbeid door Onvolwaardigen (Labour by the Deficient), but was wisely changed to Apart Doelmatig Onverwoestbaar (Special Functional Indestructible) in 1962.
These chairs are examples of the more seldom seen larger scaled furniture made by ADO.