Alvar Aalto (Finland 1898-1976)
1930s Model 60 stool. Finmar label to the underside.
Rare upholstered stool. Outstanding condition.
Cor Alons (Netherlands, 1892-1967)
Plywood and vinyl / Den Boer Gouda, 1950s.
71cm High; 36cm Wide (seat height 43cm)
Pair of rare side chairs – Their slightly ‘petit’ size means they can be used as side chairs, children’s chairs or vanity table chairs. Manufactured in the 1950s.
Price: 795 euro.
Ilmari Tapiovaara (Finland, 1914-1999)
model 32, ‘Wilhelmiina’ chair
Oy Wilh. Schumann AB Finland 1960s.
The Wilhelmiina 32 chair was designed in 1959. The legs are constructed in laminated birch with “fountain bend”. The suspended seat and back are in black lacquered moulded plywood.
The design is reminiscent of Alvar Aalto, whom Tapiovaara counted as a strong influence. In World War II Tapiovaara designed dugouts and field furniture to the Finnish Army, a challenging task given that only local wood and simple tools could be used, and no nails or screws were available.
Manufacturers label to the underside.
Ref: Svenskberg, Aila (ed.): Ilmari Tapiovaara: Life and Design. Translated by Jüri Kokkonen. Helsinki: Designmuseo, 2014
Alvar Aalto (Finland 1898-1976)
Early edition Finmar / Bowman Bros. dining set. Five model 611 stacking chairs and table. This was Aalto’s first modernist chair produced.
This set came from the home (wife) of Russian /American composer Dimitri Tiomkin best known for his western scores, including Duel in the Sun, Red River, High Noon, The Big Sky, Gunfight at the O.K. Corral, and Last Train from Gun Hill.
There are Finmar labels, Bowman Brothers stamps and red ‘Aalto Design’ stamps
The set was once black but whilst in the possession of Mrs Tiomkin it was restored and taken back as close as possible to the wood colour. There is a very nice honey varnish surface.
Ko Verzuu (Netherlands 1901-1971)
ADO wooden toy chairs – Circa. 1930s
Between 1925 and 1955 influenced by the Dutch Modernist De Stijl painters and designers Ko Verzuu designed many children’s toys. His designs were inextricably bound up with innovations in art, health care and pedagogy in the first half of the 20th century. In 1920, the sanatorium Berg en Bosch was founded in the sanctuary on the outskirts of Apeldoorn. This sanatorium offered rest and care to tuberculosis patients.
Once patients had recovered from their illness, returning to regular working life often proved to be difficult. In order to prepare patients better for their reintegration, the sanatorium developed a modern treatment: occupational therapy.
One of the ways this took shape was in the production of wooden toys. These toys were given the name ADO; an abbreviation that initially stood for Arbeid door Onvolwaardigen (Labour by the Deficient), but was wisely changed to Apart Doelmatig Onverwoestbaar (Special Functional Indestructible) in 1962.
These chairs are examples of the more seldom seen larger scaled furniture made by ADO.
Marcel Breuer (Hungarian, 1902-1981)
Isokon Long Chair (early 1960s production) – Upholstered plywood
The Hungarian-born, modernist architect and furniture designer was one of the masters of Modernism. Breuer extended the sculptural vocabulary he had developed in the carpentry shop at the Bauhaus into a personal architecture that made him one of the world’s most popular architects at the peak of 20th-Century design.
Breuer came to Britain in the mid-1930s following the closure of the Bauhaus by the Nazis. He became acquainted with Jack Pritchard the owner of Isokon, who suggested he design furniture for the company. Pritchard had become interested in the plywood designs of Alvar Aalto and wanted to produce similar furniture himself. The Long Chair was an adaptation of a previous design for an aluminium framed chaise Breuer had produced in 1932.
The Long Chair was designed by Breuer for the British Isokon company in 1935-36 and is considered one of the most important pieces of furniture to emerge from the inter-war modern movement.
In 1968, Pritchard licensed John Alan Designs, based in Camden, London to produce the Long Chair – John Alan manufactured the chair according to larger measurements in order to make the chair more 60s-friendly. This chair is thought to pre-date that period as it still retains the older smaller measurements. The upholstery is showing distinct signs of age and use.