Dom Hans v.d. Laan (Dutch Benedictine Monk and Architect) & Jan de Jong (mid-late c20th)
This chair was part of a collection of furniture that we have acquired that was made for Sint Willibrordus church in Almelo, Netherlands in the 1960s (with full provenance). The church was one of the best examples of modernist churches of the era. Unfortunately it was knocked down in 2005.
This rare prototype art object was produced in the 1970s by Maria Hees. It has several layers of moulded plastic fitted around a transformer, a fuse and a bulb. (some damage as would be expected with such a fragile item)
In the reconstruction period after the second world war, the Dutch architect and furniture designer Hein Stolle experimented with new materials and techniques for the cost effective mass-production of furniture. As a furniture designer, Stolle was a member of Groep & (which comprised Wim den Boon, Hein Stolle and Pierre Kleykamp, 1946-1950). In the early 1950s Stolle designed furniture for the distinguished department stores de Bijenkorf and Metz & Co, often in cooperation with Martin Visser. And in the 1950s and ‘60s he also designed various pieces of furniture for furniture factory ’t Spectrum.
Unique modernist wall cabinet was made for a 1953 exhibition Ons Huis, ons t’huis, (Our House, us at Home) held at De Bijenkorf warehouse in Amsterdam. The cabinet was exhibited at Wonderwood gallery’s exhibition of Stolle’s work in 2004 shortly before his death.
Brushed steel. Stamped ‘Denmark’. According to Michael Sheridan’s catalogue raisonne on Kjaerholm, the double-helix design of the PK101 illustrates Kjaerholm’s desire to emulate abstraction and economy of form found in the plant kingdom. The thin steel rods attached to the central tube exploit the high tensile strength of steel to reduce the rods to their minimum diameter. The rods were threaded at both ends in order to support a set of rings sized to fit the typical Danish candle commonly used at Christmas.
Together with this candelabrum we are including a set of small ball shaped candles with an extending section to fit the rings of the candelabrum – The candles are designed by Timo Sarpanava.
Rare version of the “Kakkonen” stackable armchair No. 2. /15. Manufactured by Oy Huonekalu-ja Rakennustyötehdas Ab, Turku, Finland. 1930s.
Finmar label to the underside.
A good example of Aaltos formative years and early designs; this chair is made from laminated and solid birch and retains its original black finish.
Co-designed by Alvar Aalto and Otto Korhonen in 1930, the chair was manufactured over the years as four differing versions. This version is the rarest of the four. The design is similar to one of other versions in that the front legs protrude at the side. However, the front edge of the seat on this version is formed as a more severe right angle as shown in the detail fig.1 (The other version with protruding legs was rounded at the front). It also has a small decorative corner feature when seen from the front that is reminiscent of traditional Chinese chairs.
The chair was illustrated in Alvar Aalto Designer, Alvar Aalto museum p.69 and in Alvar & Aino design collection Bischofberger p.21
Finmar labels to the underside on three of the stools (the other shows evidence of where the label once was).
Four great original examples of Aaltos model 60 stools – Each has a great colour and shows patina of wear and tear as would be expected and hoped for. The Finmar labels are recognised evidence of them being early edition genuine 1930s stools.
(Please see our other posts for more Aalto finmar furniture)