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Maria Hees

(Netherlands 1948 – Now)

 

A rare artwork / prototype wall light. 1970s.

This rare prototype art object was produced in the 1970s by Maria Hees. It has several layers of moulded plastic fitted around a transformer, a fuse and a bulb. (some damage as would be expected with such a fragile item)

With provenance.

POA.

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Hein Stolle (Netherlands, 1924-2006)

Original painted plywood wall cabinet. 1950s

In the reconstruction period after the second world war, the Dutch architect and furniture designer Hein Stolle experimented with new materials and techniques for the cost effective mass-production of furniture. As a furniture designer, Stolle was a member of Groep & (which comprised Wim den Boon, Hein Stolle and Pierre Kleykamp, 1946-1950). In the early 1950s Stolle designed furniture for the distinguished department stores de Bijenkorf and Metz & Co, often in cooperation with Martin Visser. And in the 1950s and ‘60s he also designed various pieces of furniture for furniture factory ’t Spectrum.

Unique modernist wall cabinet was made for a 1953 exhibition Ons Huis, ons t’huis, (Our House, us at Home) held at De Bijenkorf warehouse in Amsterdam. The cabinet was exhibited at Wonderwood gallery’s exhibition of Stolle’s work in 2004 shortly before his death.

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Literature: Hein Stolle Architect Verteller Meubelontwerper  Publisher: Wonderwood, 2004 (book as illustrated above)

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Poul Kjaerholm (Denmark, 1929-1980)

Pk101 candelabrum for Kold Christensen. 1956.

Brushed steel. Stamped ‘Denmark’. According to Michael Sheridan’s catalogue raisonne on Kjaerholm, the double-helix design of the PK101 illustrates Kjaerholm’s desire to emulate abstraction and economy of form found in the plant kingdom. The thin steel rods attached to the central tube exploit the high tensile strength of steel to reduce the rods to their minimum diameter. The rods were threaded at both ends in order to support a set of rings sized to fit the typical Danish candle commonly used at Christmas.

Together with this candelabrum we are including a set of small ball shaped candles with an extending section to fit the rings of the candelabrum – The candles are designed by Timo Sarpanava.

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Version 2
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Alvar Aalto (Finland 1898-1976)

Rare version of the “Kakkonen” stackable armchair No. 2. /15. Manufactured by Oy Huonekalu-ja Rakennustyötehdas Ab, Turku, Finland. 1930s.

Finmar label to the underside.

A good example of Aaltos formative years and early designs; this chair is made from laminated and solid birch and retains its original black finish.

Co-designed by Alvar Aalto and Otto Korhonen in 1930, the chair was manufactured over the years as four differing versions. This version is the rarest of the four. The design is similar to one of other versions in that the front legs protrude at the side. However, the front edge of the seat on this version is formed as a more severe right angle as shown in the detail fig.1 (The other version with protruding legs was rounded at the front). It also has a small decorative corner feature when seen from the front that is reminiscent of traditional Chinese chairs.

The chair was illustrated in Alvar Aalto Designer, Alvar Aalto museum p.69 and in Alvar & Aino design collection Bischofberger p.21

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Alvar Aalto (Finland 1898-1976)

Rare x4 Model 60 stacking stools. 1930s. Finmar.

Finmar labels to the underside on three of the stools (the other shows evidence of where the label once was).

Four great original examples of Aaltos model 60 stools – Each has a great colour and shows patina of wear and tear as would be expected and hoped for. The Finmar labels are recognised evidence of them being early edition genuine 1930s stools.

POA

(Please see our other posts for more Aalto finmar furniture)

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P1240971

W.(Wim) Den Boon (Netherlands, 1912-1968)Pair of triangular side tables, 1950s

chromed steel and formica board.

The Dutch architect Wim Den Boon alongside Hein Stolle and Pierre Kleykamp formed the ‘Group&’ in the period shortly after WWII as part of the Dutch ‘Goed Wonen’ (Good living) movement. They focused on designing purist interior furniture and design that fitted in seamlessly with the functionalist designs of the thirties.

By the 1950s Den Boon broke with ‘Group &’ and established himself as an independent furniture designer in The Hague. From that time and throughout the 60s he was responsible for many interiors and renovation projects, particularly in The Hague. These tables were designed as part of the interiors of one of those projects – The tables can be seen within the complete interior of a house in the images of Peter Voge’s biography of Den Boon.

As seen, the design of these tables was ahead of its time – There are visible influences of Rietveld and De Stijl or even the Scandinavian designs of Kjaerholm. At his best Den Boon designed some of the most futuristic interiors during the 1950s. His furniture is rare to find and most of it can only be experienced through photographic documentation.

Ref: Peter Voge “Wim Den Boon Binnenhuisarchitect”

POA.

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