Poul Kjaerholm (Denmark 1929-1980)
A PK61 table for E.Kold Christensen. 1960s.
Black slate top and steel base.
contact for more details and images.
Jan van Bommel (Dutch mid c20th)
The Dutch architect Jan van Bommel designed this table as part of a private commission in the 1950s in Rotterdam. The table was purchased directly from the first owner.
Solid teak top with steel and wooden legs.
Aldo van Eyck (Netherlands, 1918-1999)
Wall mounted modernist bench.
Rexine over wooden structure with painted steel supports.
This is 1 of 2 Dutch commissioned 1950s wall mounted benches designed by architect Aldo Van Eyck. Some provenance available. The bench is thought to have been designed and made as a private commission in the 1950s.
Aldo van Eyck was an award winning architect from the Netherlands and a member of CIAM. He was one of the most influential protagonists of the Structuralist architectural movement. Van Eyck lectured throughout Europe and northern America propounding the need to reject Functionalism and attacking the lack of originality in most post-war Modernism. Van Eyck’s position as co-editor of the Dutch magazine Forum helped publicise the “Team 10” call for a return to humanism within architectural design.
Hein Stolle (NL. 1924 – 2006)
Small ‘Stolwijk’ table. Plywood and steel – Original paint.
Spectrum furniture. 1954-55
Produced for a limited period only. This rare table was designed by Hein Stolle.
Stolle was a Dutch architect and furniture designer. From 1946-1950 he was a member of the Groep &, alongside Wim den Boon and Pierre Kleykamp and during the early 1950s, in collaboration, with Martin Visser he designed furniture for the department stores de Bijenkorf and Metz & Co.
Jan Slothouber & William Graatsma (Dutch c20th+)
Five rare modular cubes from the 1970s.
The Dutch team of Slothouber & Graatsma established themselves from the 1950s as artist/designers with the cube form as their key motif around which they developed various principles of cubic construction alongside multiples and variations thereof. Despite its restrictions they admired the cube for its clarity of form. They applied their thinking around it to a variety of objects, and artworks from small jewellery-scale 3d models and games to larger installation works.
Highly driven personalities, they considered themselves as discoverers of ‘the many applications of the democratic system of cubics’; a system that would ostensively act to counter the rise of the expressive individualism in post-WWII culture. (They later established the CCC_the Center for Cubic Constructions as a forum for promoting their ideas).
Due to their diverse and multidisciplinary output they were never to become global names – But they were a highly respected creative team (representing The Netherlands at the Venice Biennale in 1970)…Donald Judd for one was a great admirer of their work.