Elmar Berkovich (Dutch 1897-1968)
‘Beek’ side table for Spectrum furniture (t’Spectrum)
Designed in 1956 and manufactured for only two years.
The table has been restored.
Jan van Bommel (Dutch mid c20th)
The Dutch architect Jan van Bommel designed this table as part of a private commission in the 1950s in Rotterdam. The table was purchased directly from the first owner.
Solid teak top with steel and wooden legs.
Aldo van Eyck (Netherlands, 1918-1999)
Wall mounted modernist bench.
Rexine over wooden structure with painted steel supports.
This is 1 of 2 Dutch commissioned 1950s wall mounted benches designed by architect Aldo Van Eyck. Some provenance available. The bench is thought to have been designed and made as a private commission in the 1950s.
Aldo van Eyck was an award winning architect from the Netherlands and a member of CIAM. He was one of the most influential protagonists of the Structuralist architectural movement. Van Eyck lectured throughout Europe and northern America propounding the need to reject Functionalism and attacking the lack of originality in most post-war Modernism. Van Eyck’s position as co-editor of the Dutch magazine Forum helped publicise the “Team 10” call for a return to humanism within architectural design.
Hein Stolle (NL. 1924 – 2006)
Small ‘Stolwijk’ table. Plywood and steel – Original paint.
Spectrum furniture. 1954-55
Produced for a limited period only. This rare table was designed by Hein Stolle.
Stolle was a Dutch architect and furniture designer. From 1946-1950 he was a member of the Groep &, alongside Wim den Boon and Pierre Kleykamp and during the early 1950s, in collaboration, with Martin Visser he designed furniture for the department stores de Bijenkorf and Metz & Co.
Marcel Breuer (Hungary/usa 1902-1981)
Two stacking cream white lacquered plywood side tables. Isokon UK.
Designed by Breuer in 1936 Breuer whilst living in the UK – At that time he began to explore plywood as a material. During that period Breuer designed several classic modernist pieces that were put into production by Jack Pritchard of Isokon. We believe that these are a 60s production by John Alan. London.
Manufactured in the 1950s/60s.
Please note: We also have one other single table available – The table is a similar size to the larger one (…but is not the third one to the set) We believe that they were purchased from John Alan company in London in the 1960s where they sold individually (we have a John Alan pamphlet from the period to show this).
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Jan Slothouber & William Graatsma (Dutch c20th+)
Five rare modular cubes from the 1970s.
The Dutch team of Slothouber & Graatsma established themselves from the 1950s as artist/designers with the cube form as their key motif around which they developed various principles of cubic construction alongside multiples and variations thereof. Despite its restrictions they admired the cube for its clarity of form. They applied their thinking around it to a variety of objects, and artworks from small jewellery-scale 3d models and games to larger installation works.
Highly driven personalities, they considered themselves as discoverers of ‘the many applications of the democratic system of cubics’; a system that would ostensively act to counter the rise of the expressive individualism in post-WWII culture. (They later established the CCC_the Center for Cubic Constructions as a forum for promoting their ideas).
Due to their diverse and multidisciplinary output they were never to become global names – But they were a highly respected creative team (representing The Netherlands at the Venice Biennale in 1970)…Donald Judd for one was a great admirer of their work.
Poul Kjærholm (Denmark 1929-1980)
PK55 Ash wood and brushed steel dining table
1970s production. (Unmarked)
The use of steel and Allen bolts to connect the frames allowed Kjaerholm to avoid the, sometimes, imprecise process of welding. It also fulfilled his desire to show how the frames were connected, thus providing a clear legibility to his designs, and led him towards creating his first work desk and compatible chair – the PK 55 and PK 11, which appeared in 1957.
The simple looking build of the PK55 table belies a much more interesting design than is apparent at first glance. The steel base frame is actually composed of four lengths of flat steel, intersecting at each corner, with the short end leg propping up the longer, width-spanning leg. Each leg element is held together yet simultaneously pushed slightly apart with Allen bolts to give the base frame an even lighter profile and also to reveal the four separate planes.
This work table features an ash table top and satin brushed steel frame.
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