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Marcel Breuer (Hungary/usa 1902-1981)

Two stacking cream white lacquered plywood side tables. Isokon UK.

Designed by Breuer in 1936 Breuer whilst living in the UK – At that time he began to explore plywood as a material. During that period Breuer designed several classic modernist pieces that were put into production by Jack Pritchard of Isokon. We believe that these are a 60s production by John Alan. London.

Manufactured in the 1950s/60s.

Please note: We also have one other single table available – The table is a similar size to the larger one (…but is not the third one to the set) We believe that they were purchased from John Alan company in London in the 1960s where they sold individually (we have a John Alan pamphlet from the period to show this).

POA.

http://www.merzbau.co.uk

http://www.merzbau.vpweb.co.uk

please click on the Merzbau logo (top left) to see all of our current listings

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Dom Hans van der Laan [Netherlands 1904-1991]
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An early example of the furniture designed by the Benedictine monk/architect Dom Hans van der Laan. This oak bench (settle) came out of the Sint Stanislas Chapel, built in 1955/56 in the city of Delft in the Netherlands (building by Jan vd Laan, brother of Hans). It would have mostly likely been removed at the time when the chapel was refurbished in the 1980s-90s.

POA.

http://www.merzbau.co.uk

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Dom Hans v.d. Laan (Dutch Benedictine Monk and Architect) & Jan de Jong (mid-late c20th)

This chair was part of a collection of furniture that we have acquired that was made for Sint Willibrordus church in Almelo, Netherlands in the 1960s (with full provenance). The church was one of the best examples of modernist churches of the era. Unfortunately it was knocked down in 2005.

POA.

http://www.merzbau.co.uk

 

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Maria Hees

(Netherlands 1948 – Now)

 

A rare artwork / prototype wall light. 1970s.

This rare prototype art object was produced in the 1970s by Maria Hees. It has several layers of moulded plastic fitted around a transformer, a fuse and a bulb. (some damage as would be expected with such a fragile item)

With provenance.

POA.

http://www.merzbau.co.uk

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Hein Stolle (Netherlands, 1924-2006)

Original painted plywood wall cabinet. 1950s

In the reconstruction period after the second world war, the Dutch architect and furniture designer Hein Stolle experimented with new materials and techniques for the cost effective mass-production of furniture. As a furniture designer, Stolle was a member of Groep & (which comprised Wim den Boon, Hein Stolle and Pierre Kleykamp, 1946-1950). In the early 1950s Stolle designed furniture for the distinguished department stores de Bijenkorf and Metz & Co, often in cooperation with Martin Visser. And in the 1950s and ‘60s he also designed various pieces of furniture for furniture factory ’t Spectrum.

Unique modernist wall cabinet was made for a 1953 exhibition Ons Huis, ons t’huis, (Our House, us at Home) held at De Bijenkorf warehouse in Amsterdam. The cabinet was exhibited at Wonderwood gallery’s exhibition of Stolle’s work in 2004 shortly before his death.

POA.

http://www.merzbau.co.uk

website: http://www.merzbau.vpweb.co.uk

please click on the Merzbau logo (top left) to see all of our current listings.

Literature: Hein Stolle Architect Verteller Meubelontwerper  Publisher: Wonderwood, 2004 (book as illustrated above)

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Jan Slothouber & William Graatsma (Dutch c20th+)

Five rare modular cubes from the 1970s.

Laminated plywood.

The Dutch team of Slothouber & Graatsma established themselves from the 1950s as artist/designers with the cube form as their key motif around which they developed various principles of cubic construction alongside multiples and variations thereof. Despite its restrictions they admired the cube for its clarity of form. They applied their thinking around it to a variety of objects, and artworks from small jewellery-scale 3d models and games to larger installation works.
Highly driven personalities, they considered themselves as discoverers of ‘the many applications of the democratic system of cubics’; a system that would ostensively act to counter the rise of the expressive individualism in post-WWII culture. (They later established the CCC_the Center for Cubic Constructions as a forum for promoting their ideas).
Due to their diverse and multidisciplinary output they were never to become global names – But they were a highly respected creative team (representing The Netherlands at the Venice Biennale in 1970)…Donald Judd for one was a great admirer of their work.

POA.

http://www.merzbau.co.uk

http://www.merzbau.vpweb.co.uk