Bas van Pelt (Netherlands, 1900-1945)
EMS, My Home. 1930s
Bas Van Pelt design modernist chair – The chair has been confirmed by the Bas van Pelt archives as being as a possible prototype and if not, a very rare design. Bas van Pelt often designed experimental furniture to place in the shop window and would only have the designs produced when the appropriate number of orders were received.
Bas van Pelt began his shop ‘My Home’ in The Hague, Netherlands in 1931 and within a short period the company opened showrooms in other cities such as Maastricht and Amsterdam. The domestic interior design firm focused on producing high-quality modern interior furniture. Eventually right up until into the 1990s Bas van Pelt furniture and fabrics were also sold throughout The Netherlands and beyond by well-known modernist suppliers and manufacturers such as Thonet, D3, LOV and Gispen.
Marcel Breuer (Hungarian, 1902-1981)
Isokon Long Chair (early 1960s production) – Upholstered plywood
The Hungarian-born, modernist architect and furniture designer was one of the masters of Modernism. Breuer extended the sculptural vocabulary he had developed in the carpentry shop at the Bauhaus into a personal architecture that made him one of the world’s most popular architects at the peak of 20th-Century design.
Breuer came to Britain in the mid-1930s following the closure of the Bauhaus by the Nazis. He became acquainted with Jack Pritchard the owner of Isokon, who suggested he design furniture for the company. Pritchard had become interested in the plywood designs of Alvar Aalto and wanted to produce similar furniture himself. The Long Chair was an adaptation of a previous design for an aluminium framed chaise Breuer had produced in 1932.
The Long Chair was designed by Breuer for the British Isokon company in 1935-36 and is considered one of the most important pieces of furniture to emerge from the inter-war modern movement.
In 1968, Pritchard licensed John Alan Designs, based in Camden, London to produce the Long Chair – John Alan manufactured the chair according to larger measurements in order to make the chair more 60s-friendly. This chair is thought to pre-date that period as it still retains the older smaller measurements. The upholstery is showing distinct signs of age and use.
Marcel Breuer (Hungary/usa 1902-1981)
First edition model b34 cantilever chair from the 1920s/30s for Thonet.
These early versions had the curved under-seat to the frame.
The thick velvet type fabric to the seat and back have been on the chair for many years. They may be original to the chair as we have found Breuer chairs in the Bauhaus archives with the same type of fabric.
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Alvar Aalto (Finland 1898-1976)
Rare x4 Model 60 stacking stools. 1930s. Finmar.
Finmar labels to the underside on three of the stools (the other shows evidence of where the label once was).
Four great original examples of Aaltos model 60 stools – Each has a great colour and shows patina of wear and tear as would be expected and hoped for. The Finmar labels are recognised evidence of them being early edition genuine 1930s stools.
(Please see our other posts for more Aalto finmar furniture)
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Paul Johann Bay (Switzerland 1889-1952)
Rare Anthroposophical carved ash wood table lamp
Bay was a collaborator of Rudolf Steiner and an independent architect in the offices of Dorlach, Goethaneum after 1914.
(With some provenance)
Jan van Grunsven (Dutch c20th)
This Scissor sofa was designed by architect Jan van Grunsven in 1959 and was produced by UMS/Pastoe in Utrecht. It has laminated layers of plywood and the original grey-brown wool upholstery and Dunlop foam. Van Grunsven worked as an architect in Gerrit Rietveld’s studio during the 1950s -1960s.
Stockmann Orno AB. 1960s.
The design mostly attributed nowadays to Lisa Johansson-Pape although research has uncovered evidence that a similar design was attributed by Stockmann’s to Rauni Peippo.
Solid pine wood – Table and four chairs.
Rare large sized dining table (99 x 87 x 72.5cm) and four stools (35 x 35 x 43.5). This early production set is in superb condition having just the right colour and patina from regular use as would be desired. A rare set.