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Peter Buggenhout (Belgium 1963-)

Mixed Media Sculpture: Waste/industrial materials including household dust. 2001.

Title: “Its a Strange Strange World Sally” [limited edition]

POA.

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Elmar Berkovich (Netherlands 1897-1968)

A pair of very rare oak armchairs designed by Elmar Berkovich. Originally designed for the workers at the Shell factory although used in various environments thereafter.

They are made from an unidentified wood that is close to oak but has a very light weight to it. They were designed to be clipped together and exported easily for the factories in Dutch East Indies colonies. (Although the frames have now been glued together).

POA.

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Literature: Elmar Berkovich – meubelontwerper en interieurarchitect. Stichting BONAS.

 

 

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Jan de Jong (Nl, 1917-2001)  / Dom Hans van der Laan (Nl, 1904-1991)

high table (communion table) – Green stained pine wood with nails.

During the reconstruction period after WWII the Dutch architect Jan de Jong and the Dutch Benedictine monk Dom Hans van der Laan collaborated on several architectural projects including the interior furniture. They created an outstanding body of work defining the the style of the Bossche School. Jan de Jong was able to translate many of Dom v.d.Laan’s idealised concepts and ideas into pioneering buildings and spaces. They worked in such close collaboration however that it is difficult to discern the individual level of input into the furniture they designed. The artist Wim van Hoof worked with the two architects proposing different colour schemes for their projects. The original olive green surface visible on these tables derived from one of those schemes.

Dom Hans van der Laan (1904-1991) was a Dutch Benedictine monk and architect. He was a leading figure in the Dutch ‘Bossche School’. His theories on numerical ratios in architecture, in particular regarding the plastic number, were very influential.

Jan de Jong (1917-2001) was a talented craftsman-architect and student of v.d. Laan and it is claimed that in many way he surpassed his mentor.

This table is part of a collection of furniture that we have acquired. They were made for Sint Willibrordus church in Almelo in the 1960s. The church was one of the best examples from that era. Unfortunately it was knocked down in 2005 as part of an on-going series of closures.

http://www.vanderlaanstichting.nl/en/domhansvanderlaan/biography

What I do, I do not want, and what I want, I can not do” [Dom Hans v.d.Laan]

POA.

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Marcel Breuer (Hungarian, 1902-1981)

B10 table for Thonet.

A modernist table composed of an eight section chrome plated frame supporting a wooden table top.

The B10 table was designed by Marcel Breuer in 1927 for his own company Standard Möbel, and since 1930 the design has been manufactured by Thonet under the same designation. This is an early production circa 1930s (although the top has been restored at some point) The colour is a very pale blue/green. There is no Thonet company badge/label.

67 x 74 x 74 cm

POA.

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Bram van den Berg (Nl)

Stained pine wood chair.

A rare chair made after a commission from Bas van Pelt / The Hague. Circa 1953 for the youth hostel at Ockenberg-Kijckduin in The Netherlands.

This chair’s rudimentary but simple form and functional design typifies the spirit of the utilitarian design movement that surrounded the WWII period in Europe.

POA.

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Dutch modernist cabinet/bureau 1930s.

Unknown designer/maker, this cabinet came from the town of Laren in the Netherlands – Coincidently a district where modernist designers like Bart van der Leck and JJP Oud were living at the time when this was made.

POA.

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ADO workers 1930s – Photo – Collection of the Coda museum Apeldoorn. NL.

Ko Verzuu (Netherlands 1901-1971)

ADO wooden toy chairs – Circa. 1930s

Between 1925 and 1955 influenced by the Dutch Modernist De Stijl painters and designers Ko Verzuu designed many children’s toys. His designs were inextricably bound up with innovations in art, health care and pedagogy in the first half of the 20th century. In 1920, the sanatorium Berg en Bosch was founded in the sanctuary on the outskirts of Apeldoorn. This sanatorium offered rest and care to tuberculosis patients.

Once patients had recovered from their illness, returning to regular working life often proved to be difficult. In order to prepare patients better for their reintegration, the sanatorium developed a modern treatment: occupational therapy.

One of the ways this took shape was in the production of wooden toys. These toys were given the name ADO; an abbreviation that initially stood for Arbeid door Onvolwaardigen (Labour by the Deficient), but was wisely changed to Apart Doelmatig Onverwoestbaar (Special Functional Indestructible) in 1962.

These chairs are examples of the more seldom seen larger scaled furniture made by ADO.

POA

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