Version 2

P1230679

Jan de Jong (Nl, 1917-2001)  / Dom Hans van der Laan (Nl, 1904-1991)

Galvanised metal crucifix/ Candelabra. Circa 1960s. 264cm High.

Stamped and dated 02/81.

During the reconstruction period after WWII the Dutch architect Jan de Jong and the Dutch Benedictine monk Dom Hans van der Laan collaborated on several architectural projects including the interior furniture. They created an outstanding body of work defining the the style of the Bossche School. Jan de Jong was able to translate many of Dom v.d.Laan’s idealised concepts and ideas into pioneering buildings and spaces.

Dom Hans van der Laan (1904-1991) was a Dutch Benedictine monk and architect. He was a leading figure in the Dutch ‘Bossche School’. His theories on numerical ratios in architecture, in particular regarding the plastic number, were very influential.

Jan de Jong (1917-2001) was a talented craftsman-architect and student of v.d. Laan and it is claimed that in many way he surpassed his mentor.

POA.

http://www.merzbau.co.uk

websitehttp://www.merzbau.vpweb.co.uk

please click on the Merzbau logo (top left) to see all of our current listings.

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Jan de Jong (Nl, 1917-2001)  / Dom Hans van der Laan (Nl, 1904-1991)

high table (two available) – Green stained wood with nails.

During the reconstruction period after WWII the Dutch architect Jan de Jong and the Dutch Benedictine monk Dom Hans van der Laan collaborated on several architectural projects including the interior furniture. They created an outstanding body of work defining the the style of the Bossche School. Jan de Jong was able to translate many of Dom v.d.Laan’s idealised concepts and ideas into pioneering buildings and spaces. They worked in such close collaboration however that it is difficult to discern the individual level of input into the furniture they designed. The artist Wim van Hoof worked with the two architects proposing different colour schemes for their projects. The original olive green surface visible on these tables derived from one of those schemes.

Dom Hans van der Laan (1904-1991) was a Dutch Benedictine monk and architect. He was a leading figure in the Dutch ‘Bossche School’. His theories on numerical ratios in architecture, in particular regarding the plastic number, were very influential.

Jan de Jong (1917-2001) was a talented craftsman-architect and student of v.d. Laan and it is claimed that in many way he surpassed his mentor.

These tables are part of a collection of furniture that we have acquired. They were made for Sint Willibrordus church in Almelo in the 1960s (full provenance including photos of the pieces in-situ. is available). The church was one of the best examples of modernist churches of the era. Unfortunately it was knocked down in 2005.

http://www.vanderlaanstichting.nl/en/domhansvanderlaan/biography

What I do, I do not want, and what I want, I can not do” [Dom Hans v.d.Laan]

POA.

http://www.merzbau.co.uk

website: http://www.merzbau.vpweb.co.uk

please click on the Merzbau logo (top left) to see all of our current listings.

 

p1210355

Jan de Jong (1917-2001) & Dom Hans van der Laan (1904-1991)

High back chair, 1967

Original olive green stained oak wood, brown leather with galvanised steel base and copper nails.

Jan de Jong (1917-2001) was a talented craftsman-architect and student of the monk Dom Hans v.d. Laan and it is claimed that in many way he surpassed his mentor. In the late 1950s the two men worked closely together in the Reconstruction Period after WWII to create a body of work as part of the construction of the churches in the style of the Bossche School. Jan de Jong was able to translate many of Dom Hans v.d.Laan’s concepts and ideas into other public and private pioneering buildings and spaces.

This exceptionally rare and early designed chair by Jan de Jong was made for the members of the city (counsel) of Budel in The Netherlands. De Jong designed the town hall and its furniture as a ‘gesamtwerk’ (a complete relational work based on hermetic planning). The chair is in superb original condition.

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http://www.merzbau.co.uk

website: http://www.merzbau.vpweb.co.uk


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Jan de Jong (Netherlands, 1917-2001) & Dom Hans v.d. Laan (Netherlands, 1904-1991)

Large black painted wooden console table/ lectern

Dom Hans van der Laan was a Dutch Benedictine monk and architect. He was a leading figure in the Dutch ‘Bossche School’. His theories on numerical ratios in architecture, in particular regarding the plastic number, were very influential.

Jan de Jong (1917-2001) was a talented craftsman-architect and student of v.d. Laan and it is claimed that in many way he surpassed his mentor. In the late 1950s the two men worked closely together in the Reconstruction Period after WWII to create a body of work as part of the construction of the churches in the style of the Bossche School. Jan de Jong was able to translate many of Dom v.d.Laan’s concepts and ideas into pioneering buildings and spaces

This side table /lectern came out of the town hall in Budel, in The Netherlands designed by Jan de Jong. The town hall and its furniture were designed by him in 1967 as part of a complete environment. Although designed as a free-standing structure, it has an open section to the back  and there are holes drilled to the supporting structure inside for cables to run through…It also has a metal patch to one side and there is evidence of where microphones may have been attached to the top. This all points to it having been used as a working lectern at some time.

The black painted surface is a later colour added whereas the original colour might have been more of a greenish black.

++++++++++++++++++ITEM NOT AVAILABLE+++++++++++++++++++++++++++++++++

http://www.merzbau.co.uk

website: http://www.merzbau.vpweb.co.uk

please click on the Merzbau logo (top left) to see all of our current listings.

p1210252

p1150684

Dom Hans van der Laan (Netherlands, 1904-1991)

Pew/ Settle, 1950s

Oak wood and steel square ended nails

Dom Hans van der Laan was a Dutch Benedictine monk and architect. He was a leading figure in the Dutch ‘Bossche School’. His theories on numerical ratios in architecture dealing with the plastic number, ideal size and relationship systems, were very influential.

Dom Hans van der Laan worked on many projects during the ‘Reconstruction Period’ after WWII to create a body of work. The architect and student of Dom Hans v.d. Laan, Jan de Jong, was able to translate many of his concepts and ideas into pioneering buildings and spaces prior to the late 1960s when many of the churches and religious institutions began to close down.

This oak pew or settle is a very early example of the designs by Dom Hans van der Laan. It came out of the Sint Stanislas chapel, build in 1955/56 in the city of Leiden. (building by Jan van der Laan, brother of Hans). The chapel was refurbished in the 1980s/90s at which time the pew was removed. It is totally original and has a superb warm patina.

POA.

http://www.merzbau.co.uk

website: http://www.merzbau.vpweb.co.uk

please click on the Merzbau logo (top left) to see all of our current listings.

dom1-1

 Jan de Jong (Netherlands, 1917-2001) / Dom Hans van der Laan (Netherlands, 1904-1991)

Hall stand – Original grey painted pine wood. 1970s.

Dom Hans van der Laan was a Dutch Benedictine monk and architect. He was a leading figure in the Dutch ‘Bossche School’. His theories on numerical ratios in architecture, in particular regarding the plastic number, were very influential.

Jan de Jong (1917-2001) was a talented craftsman-architect and student of v.d. Laan and it is claimed that in many way he surpassed his mentor. In the late 1950s the two men worked closely together in the Reconstruction Period after WWII to create a body of work as part of the construction of the churches in the style of the Bossche School. Jan de Jong was able to translate many of Dom v.d.Laan’s concepts and ideas into pioneering buildings and spaces.

http://www.vanderlaanstichting.nl/en/domhansvanderlaan/biography

POA.

http://www.merzbau.co.uk

website: http://www.merzbau.vpweb.co.uk

please click on the Merzbau logo (top left) to see all of our current listings.

p1180339

Jan de Jong  (Netherlands, 1917-2001) / Dom Hans van der Laan (Netherlands, 1904-1991)

High chair – Green stained camphor wood with copper nails.

During the reconstruction period after WWII the Dutch architect Jan de Jong and the Dutch Benedictine monk Dom Hans van der Laan collaborated on several architectural projects including the interior furniture. They created an outstanding body of work in the style of the Bossche School. Jan de Jong was able to translate many of Dom v.d.Laan’s idealised concepts and ideas into pioneering buildings and spaces. They worked in such close collaboration however that it is difficult to discern the individual level of input into the furniture they designed. The artist Wim van Hoof worked with the two architects proposing different colour schemes for their projects. The original olive green surface visible on this chair derived from one of those schemes.

Dom Hans van der Laan (1904-1991) was a Dutch Benedictine monk and architect. He was a leading figure in the Dutch ‘Bossche School’. His theories on numerical ratios in architecture, in particular regarding the plastic number, were very influential.

Jan de Jong (1917-2001) was a talented craftsman-architect and student of v.d. Laan and it is claimed that in many way he surpassed his mentor.

This chair was part of a collection of furniture that we have acquired that was made for Sint Willibrordus church in Almelo in the 1960s (full provenance including photos of the interior is available). The church was one of the best examples of modernist churches of the era. Unfortunately it was knocked down in 2005.

http://www.vanderlaanstichting.nl/en/domhansvanderlaan/biography

What I do, I do not want, and what I want, I can not do” [Dom Hans v.d.Laan]

++++++++++++++++++ITEM NOT AVAILABLE+++++++++++++++++++++++++++

http://www.merzbau.co.uk

website: http://www.merzbau.vpweb.co.uk

please click on the Merzbau logo (top left) to see all of our current listings.