P1220955

Ilmari Tapiovaara (Finland 1914-1999)

Pirkka stool for Laukaan Puu. Finland. 1950s.

Marked to the underside with full designer/ company brandished markings.

Price: 1150 Euro

http://www.merzbau.co.uk

http://www.merzbau.vpweb.co.uk

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P1230424

Alvar Aalto (Finland 1898-1976)

Rare x4 Model 60 stacking stools. 1930s. Finmar.

Finmar labels to the underside on three of the stools (the other shows evidence of where the label once was).

Four great original examples of Aaltos model 60 stools – Each has a great colour and shows patina of wear and tear as would be expected and hoped for. The Finmar labels are recognised evidence of them being early edition genuine 1930s stools.

POA

(Please see our other posts for more Aalto finmar furniture)

http://www.merzbau.co.uk

website: http://www.merzbau.vpweb.co.uk

Please click on the Merzbau logo (top left) to see all of our current listings.

p1160461

Bas van Pelt (Netherlands, 1931-95)

EMS, My Home. 1930s

Rare early Bas Van Pelt design double-sided desk with two chairs

Bas van Pelt began his shop ‘My Home’ in The Hague, Netherlands in 1931 and within a short period the company opened showrooms in other cities such as Maastricht and Amsterdam. The domestic interior design firm focused on producing high-quality modern interior furniture. Eventually right up until into the 1990s Bas van Pelt furniture and fabrics were also sold throughout The Netherlands and beyond by well-known modernist suppliers and manufacturers such as Thonet, D3, LOV and Gispen.

This early Bas van Pelt design desk and two chairs were manufactured in solid oak wood. Each piece has the Maker/designer’s name brandished in the wood.

POA.

http://www.merzbau.co.uk

website: http://www.merzbau.vpweb.co.uk

please click on the Merzbau logo (top left) to see all of our current listings.

P1240556P1240551

Late 19th Century Circa 1880s / Gothic Revival linen cabinet.

Designer Unknown. 100 x 176.5 x 42.5cm

With hand-painted decoration and internal shelving

This late c19th Dutch cabinet is full of character and demonstrates a crucial period in the development of early modernist aesthetics. It is in the style of Pierre Cuypers (although has many similarities to various British designers of the period, such as Thomas Seddon, William Burges – However, it is more primitive in its materials, refinement of manufacture and decorative finish. This gives it real ‘folksy’ charm and plenty of character!

POA.

http://www.merzbau.co.uk