1930s Modernist Dutch or German writing desk.
Modernist garden chair.
1900-1930s. Oregon pine (part of a larger garden set).
Possibly Dutch but could also be of Scandinavian origin. A wonderful example of early modernist knock-down (flat-pack) furniture.
Gerard Wijnen (Netherlands, 1930-)
Armchairs, 1960 (Four available – one shown)
Bossche school architect Gerard Wijnen attended classes given by Hans Dom van der Laan in the 1960s. Wijnen was not a prolific designer and his furniture was only made through commission from the architect which accounts for its scarcity.
Wijnen was photographed sitting on one of these chairs as can be seen in the photograph from the ‘s-Hertogenbosch town archives collection.
Hein Stolle (Netherlands, 1924-2006)
Original painted plywood wall cabinet. 1950s
In the reconstruction period after the second world war, the Dutch architect and furniture designer Hein Stolle experimented with new materials and techniques for the cost effective mass-production of furniture. As a furniture designer, Stolle was a member of Groep & (which comprised Wim den Boon, Hein Stolle and Pierre Kleykamp, 1946-1950). In the early 1950s Stolle designed furniture for the distinguished department stores de Bijenkorf and Metz & Co, often in cooperation with Martin Visser. And in the 1950s and ‘60s he also designed various pieces of furniture for furniture factory ’t Spectrum.
Unique modernist wall cabinet was made for a 1953 exhibition Ons Huis, ons t’huis, (Our House, us at Home) held at De Bijenkorf warehouse in Amsterdam. The cabinet was exhibited at Wonderwood gallery’s exhibition of Stolle’s work in 2004 shortly before his death.
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Literature: Hein Stolle Architect Verteller Meubelontwerper Publisher: Wonderwood, 2004 (book as illustrated above)
Jan van Grunsven (Dutch c20th)
This Scissor sofa was designed by architect Jan van Grunsven in 1959 and was produced by UMS/Pastoe in Utrecht. It has laminated layers of plywood and the original grey-brown wool upholstery and Dunlop foam. Van Grunsven worked as an architect in Gerrit Rietveld’s studio during the 1950s -1960s.