Wim den Boon (Dutch 1912-1968)
The Dutch designer Wim den Boon designed this pair of chairs in 1954 as a commission for a home in Reeuwijk, in South Holland [purchased directly from the family]. __They are the two remaining chairs of the actual four pictured in Peter Vöge’s book on Wim den Boon [Vöge,1989;p.22].
__Although the design never went into production, the chairs exemplify the lasting influence of Gerrit Rietveld and early modernism during the reconstruction period after WWII when Dutch designers continued to experiment and employ a strict/pared-down use of materials and techniques for the cost effective mass-production of furniture.
Oak, sprung seats with vinyl upholstery.
Dom Hans v.d. Laan & Jan de Jong (Netherlands, mid-late c20th)
This chair was part of a collection of furniture that we have acquired (with full provenance). It was previously used as a church lectern.
Willem Gispen (Dutch 1890-1981)
A very rare model 5012 desk lamp in brass. Manufactured between 1931-38 – This is the later edition of the lady version that included a unique connection to the base.
(Netherlands 1948 – Now)
A rare artwork / prototype wall light. 1970s.
This rare prototype art object was produced in the 1970s by Maria Hees. It has several layers of moulded plastic fitted around a transformer, a fuse and a bulb. (some damage as would be expected with such a fragile item)
Hein Stolle (Netherlands, 1924-2006)
Original painted plywood wall cabinet. 1950s
In the reconstruction period after the second world war, the Dutch architect and furniture designer Hein Stolle experimented with new materials and techniques for the cost effective mass-production of furniture. As a furniture designer, Stolle was a member of Groep & (which comprised Wim den Boon, Hein Stolle and Pierre Kleykamp, 1946-1950). In the early 1950s Stolle designed furniture for the distinguished department stores de Bijenkorf and Metz & Co, often in cooperation with Martin Visser. And in the 1950s and ‘60s he also designed various pieces of furniture for furniture factory ’t Spectrum.
Unique modernist wall cabinet was made for a 1953 exhibition Ons Huis, ons t’huis, (Our House, us at Home) held at De Bijenkorf warehouse in Amsterdam. The cabinet was exhibited at Wonderwood gallery’s exhibition of Stolle’s work in 2004 shortly before his death.
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Literature: Hein Stolle Architect Verteller Meubelontwerper Publisher: Wonderwood, 2004 (book as illustrated above)
Aldo van den Nieuwelaar (Dutch 1944-2010)
Cirkel lamp designed 1968.
Jan Slothouber & William Graatsma (Dutch c20th+)
Five rare modular cubes from the 1970s.
The Dutch team of Slothouber & Graatsma established themselves from the 1950s as artist/designers with the cube form as their key motif around which they developed various principles of cubic construction alongside multiples and variations thereof. Despite its restrictions they admired the cube for its clarity of form. They applied their thinking around it to a variety of objects, and artworks from small jewellery-scale 3d models and games to larger installation works.
Highly driven personalities, they considered themselves as discoverers of ‘the many applications of the democratic system of cubics’; a system that would ostensively act to counter the rise of the expressive individualism in post-WWII culture. (They later established the CCC_the Center for Cubic Constructions as a forum for promoting their ideas).
Due to their diverse and multidisciplinary output they were never to become global names – But they were a highly respected creative team (representing The Netherlands at the Venice Biennale in 1970)…Donald Judd for one was a great admirer of their work.