IMG_6299

JJP Oud (Netherlands 1890-1963)
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Very rare JJP Oud chair from the director’s room of the Shell Oil company building, completed just after WWII in The Hague /1950.
Probably manufactured by HP Mutters & Sons or Eckhart’s meubelfabrik – Two companies that manufactured other known pieces from the building, now in the Boijman museum collection in Rotterdam.
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The chair/design and the design of the interior from which it came is fully documented in Elizabeth Reinhartz-Tergau’s excellent book on the architect published by Boijman van Beuningen museum in 1990 /p.155. (See image 2 which shows the documented image below the supporting text)

POA.

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Late 19th Century Circa 1880s / Gothic Revival linen cabinet.

Designer Unknown. 100 x 176.5 x 42.5cm

With hand-painted decoration and internal shelving

This late c19th Dutch cabinet is full of character and demonstrates a crucial period in the development of early modernist aesthetics. It is in the style of Pierre Cuypers (although has many similarities to various British designers of the period, such as Thomas Seddon, William Burges – However, it is more primitive in its materials, refinement of manufacture and decorative finish. This gives it real ‘folksy’ charm and plenty of character!

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P1240179P1240176

IMG_4040

Be Niegeman-Brand (Dutch mid-c20th)

Cube stool – Circa early 1950s (possible prototype / with good provenance)

Manufactured by Goed Wonen. 31.5 x 31.5 x 31.5cm

A very rare piece of children’s furniture in cube form. Designed by Be-Niegeman-Brand, the wife of the architect/designer Johan Niegeman (1902-77).

The cube stool was designed to be multi-functional and included a stool, a table and a toy.

Produced by the Dutch Goed Wonen (Good Living foundation, Amsterdam 1946-1968) whose aims were to “…bring living in the Netherlands to a higher level by improving the interior design in the broadest sense of the word, by promoting the production and distribution of furniture, upholstery, utensils, etc., which meet certain aesthetic, technical and social requirements.” 

POA.

Lit.: The cube is featured in the Goed Wonen, fifth year – Number 5 from 1952 (see image)

Provenance: This item comes with full provenance which will be supplied with the item.

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IMG_4043

Be Niegeman Brand (Dutch mid-c20th)

Model NG-11 Beech and maple wood armchair – Goed Wonen 1950.

A rare NG-11 armchair from 1950 designed by B.Niegeman-Brand, the wife of the architect/designer Johan Niegeman (1902-77). Original fabric covers in two tones of grey wool.

Produced by the Dutch Goed Wonen (Good Living foundation, Amsterdam 1946-1968) whose aims were to “…bring living in the Netherlands to a higher level by improving the interior design in the broadest sense of the word, by promoting the production and distribution of furniture, upholstery, utensils, etc., which meet certain aesthetic, technical and social requirements.” 

POA.

Lit.: The chair is featured in the Goed Wonen, fifth year – Number 5 from 1952 (see image)

Provenance: This item comes with full provenance which will be supplied with the item.

 

P1240135P1240130

Elmar Berkovich (NL. 1897-1968)

A pair of very rare oak armchairs designed by Elmar Berkovich. Originally designed for the workers at the Shell factory although used in various environments thereafter.

They are made from an unidentified wood that is close to oak but has a very light weight to it. They were designed to be clipped together and exported easily for the factories in Dutch East Indies colonies. (Although the frames are now glued together).

POA.

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Literature: Elmar Berkovich – meubelontwerper en interieurarchitect. Stichting BONAS.

P1180902

Dutch modernist reception desk. Circa 1930s-50s.

Painted steel. Beech wood slats and composite stone top.

The exact provenance of this desk is unknown but it reputedly came out of a shop/store in Amsterdam during the mid-c20th. It has affinities with Gerrit Rietveld’s designs of the era.

It shows signs of age and use – the rubber stops are very dry and worn, the steel has old over painting.

Some minor sympathetic restorations.

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website: http://www.merzbau.vpweb.co.uk

 

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Gerrit Rietveld (Dutch 1888-1964) style / attributed shelving unit
Dutch 1930s – Modernist shelving unit.
provenance: Johanna Erna Else Schröder (1918 – 1992)
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Johanna Erna Else Schröder (known as Han Schröder) lived in the  in Utrecht, the Netherlands, together with her mother, Truus  Schröder- Schrader who was also an interior decorator. The house was designed in 1924 by Gerrit Thomas Rietveld who became a friend of Schröder’s and an important influence on her future work. While a teenager, she worked on furniture design with both Rietveld and with Gerard van de Groenekan. In 1936, she attended the  Federal Institute of Technology in Zurich Switzerland, graduating as an architect in 1940.
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This small De Stijl / Art Deco / Modernist shelving unit was previously owned by Han Schroeder /Schröder. After the death of Han the family auctioned off her belongings including this table. It is possibly a Gerrit Rietveld design – although a definite attribution can not be given.
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