Elmar Berkovich (Dutch 1897-1968)
‘Beek’ side table for Spectrum furniture (t’Spectrum)
Designed in 1956 and manufactured for only two years.
The table has been restored.
Bas van Pelt (Netherlands, 1900-1945)
EMS, My Home. 1930s
Bas Van Pelt design modernist chair – The chair has been confirmed by the Bas van Pelt archives as being as a possible prototype and if not, a very rare design. Bas van Pelt often designed experimental furniture to place in the shop window and would only have the designs produced when the appropriate number of orders were received.
Bas van Pelt began his shop ‘My Home’ in The Hague, Netherlands in 1931 and within a short period the company opened showrooms in other cities such as Maastricht and Amsterdam. The domestic interior design firm focused on producing high-quality modern interior furniture. Eventually right up until into the 1990s Bas van Pelt furniture and fabrics were also sold throughout The Netherlands and beyond by well-known modernist suppliers and manufacturers such as Thonet, D3, LOV and Gispen.
Jan van Bommel (Dutch mid c20th)
The Dutch architect Jan van Bommel designed this table as part of a private commission in the 1950s in Rotterdam. The table was purchased directly from the first owner.
Solid teak top with steel and wooden legs.
Jan Slothouber & William Graatsma (Dutch c20th+)
Five rare modular cubes from the 1970s.
The Dutch team of Slothouber & Graatsma established themselves from the 1950s as artist/designers with the cube form as their key motif around which they developed various principles of cubic construction alongside multiples and variations thereof. Despite its restrictions they admired the cube for its clarity of form. They applied their thinking around it to a variety of objects, and artworks from small jewellery-scale 3d models and games to larger installation works.
Highly driven personalities, they considered themselves as discoverers of ‘the many applications of the democratic system of cubics’; a system that would ostensively act to counter the rise of the expressive individualism in post-WWII culture. (They later established the CCC_the Center for Cubic Constructions as a forum for promoting their ideas).
Due to their diverse and multidisciplinary output they were never to become global names – But they were a highly respected creative team (representing The Netherlands at the Venice Biennale in 1970)…Donald Judd for one was a great admirer of their work.
Jan van Grunsven (Dutch c20th)
This Scissor sofa was designed by architect Jan van Grunsven in 1959 and was produced by UMS/Pastoe in Utrecht. It has laminated layers of plywood and the original grey-brown wool upholstery and Dunlop foam. Van Grunsven worked as an architect in Gerrit Rietveld’s studio during the 1950s -1960s.