1960s Dutch child’s chair [unknown designer/maker]
Stained plywood. 39x39x35.5cm
Marcel Breuer (Hungarian, 1902-1981)
B10 table for Thonet.
A modernist table composed of an eight section chrome plated frame supporting a wooden table top.
The B10 table was designed by Marcel Breuer in 1927 for his own company Standard Möbel, and since 1930 the design has been manufactured by Thonet under the same designation. This is an early production circa 1930s (although the top has been restored at some point) The colour is a very pale blue/green. There is no Thonet company badge/label.
67 x 74 x 74 cm
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Dutch modernist cabinet/bureau 1930s.
Unknown designer/maker, this cabinet came from the town of Laren in the Netherlands – Coincidently a district where modernist designers like Bart van der Leck and JJP Oud were living at the time when this was made.
Ko Verzuu (Netherlands 1901-1971)
ADO wooden toy chairs – Circa. 1930s
Between 1925 and 1955 influenced by the Dutch Modernist De Stijl painters and designers Ko Verzuu designed many children’s toys. His designs were inextricably bound up with innovations in art, health care and pedagogy in the first half of the 20th century. In 1920, the sanatorium Berg en Bosch was founded in the sanctuary on the outskirts of Apeldoorn. This sanatorium offered rest and care to tuberculosis patients.
Once patients had recovered from their illness, returning to regular working life often proved to be difficult. In order to prepare patients better for their reintegration, the sanatorium developed a modern treatment: occupational therapy.
One of the ways this took shape was in the production of wooden toys. These toys were given the name ADO; an abbreviation that initially stood for Arbeid door Onvolwaardigen (Labour by the Deficient), but was wisely changed to Apart Doelmatig Onverwoestbaar (Special Functional Indestructible) in 1962.
These chairs are examples of the more seldom seen larger scaled furniture made by ADO.
Wim den Boon (Dutch 1912-1968)
The Dutch designer Wim den Boon designed this pair of chairs in 1954 as a commission for a home in Reeuwijk, in South Holland [purchased directly from the family]. __These are the two remaining chairs of the actual four pictured in Peter Vöge’s book on Wim den Boon [Vöge,1989;p.22]. Although the design never went into production, the chairs exemplify the lasting influence of Gerrit Rietveld and early modernism during the reconstruction period after WWII when Dutch designers continued to experiment and employ a strict/pared-down use of materials and techniques for the cost effective mass-production of furniture.
Oak, sprung seats with vinyl upholstery.
Gerard Wijnen (Netherlands, 1930-)
Armchairs, 1960 (Four available – one shown)
Bossche school architect Gerard Wijnen attended classes given by Hans Dom van der Laan in the 1960s. Wijnen was not a prolific designer and his furniture was only made through commission from the architect which accounts for its scarcity.
Wijnen was photographed sitting on one of these chairs as can be seen in the photograph from the ‘s-Hertogenbosch town archives collection.