A small sideboard originally made for Heals, London in the 1940s-50s by Vesper furniture company (Note: The small circular hole can be seen above one drawer where the Heals label would have been). Inside the drawers are made bent beech plywood.
We have two of these available as well as a small set of drawers. We believe that the sideboard was part of a set of bedroom furniture made by Vesper furniture for Heals in very limited numbers in the late 40s/ early 50s – very rare. It has design similarities to the 1950s designs by Dutch designer Cees Braakman for Pastoe furniture.
Kjærholm designed the ultimate functionalist furniture that was praised for its understated elegance and clean lines.
Kjærholm had a particular interest in various construction materials; especially steel, which he considered a natural material. In 1955, Kjærholm started collaborating with manufacturer E. Kold Christensen, which lasted until his death in 1980.
The PK9 series consist of splayed-legged bases on which a shaped seat is fully upholstered in black leather.
These are early edition chairs marked with the KC monogram and stamped Denmark.
TC2 Floor lamp designed in 1969. White enamelled metal.
This early production lamp was produced by Artimeta Soest, Netherlands in 1972.
Inspired by the Dutch Modernist’s use of minimalist and geometric forms Aldo v.d.Nieuwelaar designed a range of products from furniture to carpet, sculptures and building schemes. From 1968 he designed a series of innovative fluorescent lighting manufactured in white and chromed steel tubes.
This floor lamp was from the TC series that were designed in 1969, originally produced in very small numbers. In 1972 Artimeta took these lamps into production – They produced limited numbers of the design until 1974 when production stopped.
The design includes the transformer in the base that acts as a counter weight. Amazingly they were also designed to be hung on the wall. They have holes underneath that enables them to clip onto the wall of so desired although they work best as minimalist light sculptures and give off a superb even warm light. The top section can be positioned by twisting the stem whilst the base remains fixed.
196 cm high x 73 cm wide x 15 cm deep (diameter of white tube 4cm)
Rare version of the “Kakkonen” stackable armchair No. 2. /15. Manufactured by Oy Huonekalu-ja Rakennustyötehdas Ab, Turku, Finland. 1930s.
Finmar label to the underside.
A good example of Aaltos formative years and early designs; this chair is made from laminated and solid birch and retains its original black finish.
Co-designed by Alvar Aalto and Otto Korhonen in 1930, the chair was manufactured over the years as four differing versions. This version is the rarest of the four. The design is similar to one of other versions in that the front legs protrude at the side. However, the front edge of the seat on this version is formed as a more severe right angle as shown in the detail fig.1 (The other version with protruding legs was rounded at the front). It also has a small decorative corner feature when seen from the front that is reminiscent of traditional Chinese chairs.
The chair was illustrated in Alvar Aalto Designer, Alvar Aalto museum p.69 and in Alvar & Aino design collection Bischofberger p.21
‘six star series’ table, model A826 from 1968, with set of six early edition ‘Ant Chairs’
Fritz Hansen, Denmark
A seldom seen combination of the rare 6-star footed table with the three-legged ‘Ant chairs’. The 145cm diameter table which itself is quite a rarity, easily accommodates the six chairs which fit neatly into the spaces created within and around the table.
In the reconstruction period after the second world war, the Dutch architect and furniture designer Hein Stolle experimented with new materials and techniques for the cost effective mass-production of furniture. As a furniture designer, Stolle was a member of Groep & (which comprised Wim den Boon, Hein Stolle and Pierre Kleykamp, 1946-1950). In the early 1950s Stolle designed furniture for the distinguished department stores de Bijenkorf and Metz & Co, often in cooperation with Martin Visser. And in the 1950s and ‘60s he also designed various pieces of furniture for furniture factory ’t Spectrum.
This model (Stolwijk) was only produced for a very limited period in the mid-50s