p1170523-copy

 

Illmari Tapiovaara (Finland, 1914-1999)

model 32, ‘Wilhelmiina’ chair

Oy Wilh. Schumann AB Finland 1960s.

The Wilhelmiina 32 chair was designed in 1959. The legs are constructed in laminated birch with “fountain bend”. The suspended seat and back are in black lacquered moulded plywood.

The design is reminiscent of Alvar Aalto, whom Tapiovaara counted as a strong influence. In World War II Tapiovaara designed dugouts and field furniture to the Finnish Army, a challenging task given that only local wood and simple tools could be used, and no nails or screws were available.

Manufacturers label to the underside.

Ref: Svenskberg, Aila (ed.): Ilmari Tapiovaara: Life and Design. Translated by Jüri Kokkonen. Helsinki: Designmuseo, 2014

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P1230803

Bas van Pelt (Netherlands, 1900-1945)

EMS, My Home. 1930s

Bas Van Pelt design modernist chair/ possible prototype and if not, a very rare design.

Bas van Pelt began his shop ‘My Home’ in The Hague, Netherlands in 1931 and within a short period the company opened showrooms in other cities such as Maastricht and Amsterdam. The domestic interior design firm focused on producing high-quality modern interior furniture. Eventually right up until into the 1990s Bas van Pelt furniture and fabrics were also sold throughout The Netherlands and beyond by well-known modernist suppliers and manufacturers such as Thonet, D3, LOV and Gispen.

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P1230593

Bram van den Berg (Nl)

Stained pine wood chair.

A rare chair made after a commission from Bas van Pelt / The Hague. Circa 1953 for the youth hostel at Ockenberg-Kijckduin in The Netherlands.

This chair’s rudimentary but simple form and functional design typifies the spirit of the utilitarian design movement that surrounded the WWII period in Europe.

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p1210335-copy
Wim Den Boon rush seated side chair 1950s

 

W.(Wim) Den Boon

(Netherlands, 1912-1968)

Ash wood with strung rush seat

The Dutch architect Wim Den Boon alongside Hein Stolle and Pierre Kleykamp formed the ‘Group&’ in the period shortly after WWII as part of the Dutch ‘Goed Wonen’ (Good living) movement. They focused on designing purist interior furniture and design that fitted in seamlessly with the functionalist designs of the thirties.

By the 1950s Den Boon broke with ‘Group &’ and established himself as an independent furniture designer in The Hague.

At his best Den Boon designed some of the most futuristic interiors during the 1950s. His furniture is rare to find and most of it can only be experienced through photographic documentation. This actual chair is shown next to a large table in the interior of Den Boon’s own residence in Peter Vöge’s 1989 book.

The design of this chair was inspired by traditional English spade chairs. The back rest/handle having a form similar to a garden spade. The design also shares many formal and conceptual elements with French and Scandinavian modernist designers of the period such as Charlotte Perriand and Pierre Jeanneret.

Literature: W. (WIM) DEN BOON. 1912 – 1968. PUBLICATIONS: P. Vöge – Wim den Boon 1912-1968. Binnenhuisarchitect, Rotterdam 1989

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p1190590

Hein Stolle (Netherlands, 1924-2006)

Armchair 1948

The Dutch architect Hein Stolle alongside Wim De Boon and Pierre Kleykamp formed the ‘Group&’ in the period shortly after WWII as part of the Dutch ‘Goed Wonen’ (Good living) movement. They focused on designing purist interior furniture and design that echoed the spirit of 1930s functionalist design but made available to a wider audience.The use of softer woods and natural materials was possibly influenced by French designers like Charlotte Perriand.

Extremely rare (1 of only a few made) armchair with adjustable back produced for De Bijenkorf 1948 by the Dutch company  ‘t Spectrum.

Pine frame with rattan seat and back.

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