Gerard Wijnen (Netherlands, 1930-)
Armchairs, 1960 (Four available – one shown)
Bossche school architect Gerard Wijnen attended classes given by Hans Dom van der Laan in the 1960s. Wijnen was not a prolific designer and his furniture was only made through commission from the architect which accounts for its scarcity.
Wijnen was photographed sitting on one of these chairs as can be seen in the photograph from the ‘s-Hertogenbosch town archives collection.
1920s German or Dutch modernist cabinet.
Stained oregan pine wood. (with lock and key).
Dutch modernist work desk
1930s. Designer/ manufacturer unknown.
Unknown designer/maker (still researching this). Possibly H.Pander & Sons ~ Fer Semej, Elmar Berkovich or Paul Bromberg? We are currently researching this desk. Gerrit Rietveld was also reputed to have designed a few private commissions in bright colours although we would not be so bold as to attribute it to him).
It has its original paintwork that has faded in places to a tangerine/ coral colour. It has a grey/green cloth top surface. It shows some signs of age and use as would be expected and would benefit from some care and attention.
Marcel Breuer (Hungary/usa 1902-1981)
First edition model b34 cantilever chair from the 1920s/30s for Thonet.
These early versions had the curved under-seat to the frame.
The thick velvet type fabric to the seat and back have been on the chair for many years. They may be original to the chair as we have found Breuer chairs in the Bauhaus archives with the same type of fabric.
GMF Touch light desk lamp, ca. 1933
It is common for the design of this rare lamp to be attributed to the Bauhaus designer Marianne Brandt for obvious reasons, including the fact that it is stamped GMF (Gotha Metal Fabric previously named Ruppel). The GMF company like Ruppel before them were known to have produced many of Brandt’s designs during the period. In addition the design is composed completely of geometric elements common to all of Brandt’s designs but especially because of the touch pad base that works as a switch. However, the original plastic shade we have never seen before which leads us to question whether this lamp was a particularly early production. Ultimately this is a rare version or a rare lamp – something of interest for any collectors of early modernism and modernist design.
It is lacquered in a seldom seen racing green colour and still has its original wiring in good condition.
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