(Netherlands 1948 – Now)
A rare artwork / prototype wall light. 1970s.
This rare prototype art object was produced in the 1970s by Maria Hees. It has several layers of moulded plastic fitted around a transformer, a fuse and a bulb. (some damage as would be expected with such a fragile item)
Jan Slothouber & William Graatsma (Dutch c20th+)
Five rare modular cubes from the 1970s.
The Dutch team of Slothouber & Graatsma established themselves from the 1950s as artist/designers with the cube form as their key motif around which they developed various principles of cubic construction alongside multiples and variations thereof. Despite its restrictions they admired the cube for its clarity of form. They applied their thinking around it to a variety of objects, and artworks from small jewellery-scale 3d models and games to larger installation works.
Highly driven personalities, they considered themselves as discoverers of ‘the many applications of the democratic system of cubics’; a system that would ostensively act to counter the rise of the expressive individualism in post-WWII culture. (They later established the CCC_the Center for Cubic Constructions as a forum for promoting their ideas).
Due to their diverse and multidisciplinary output they were never to become global names – But they were a highly respected creative team (representing The Netherlands at the Venice Biennale in 1970)…Donald Judd for one was a great admirer of their work.
Georges Jouve (France, 1910- 1964) &/for Marcel Asselbur
Rare 1950s wall mirror / coat hanger with four brass arms each with a black ceramic sculptural form attached. Made for and in part with Marcel Asselbur (the two collaborated throughout the 1950s to produce domestic items)
Good condition – minimal signs of age/use.
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JJP Oud (Netherlands 1890-1963)
Very rare JJP Oud chair from the director’s room of the Shell Oil company building, completed just after WWII in The Hague /1950.
Probably manufactured by HP Mutters & Sons or Eckhart’s meubelfabrik – Two companies that manufactured other known pieces from the building, now in the Boijman museum collection in Rotterdam.
The chair/design and the design of the interior from which it came is fully documented in Elizabeth Reinhartz-Tergau’s excellent book on the architect published by Boijman van Beuningen museum in 1990 /p.155. (See image 2 which shows the documented image below the supporting text)