Kjærholm designed the ultimate functionalist furniture that was praised for its understated elegance and clean lines.
Kjærholm had a particular interest in various construction materials; especially steel, which he considered a natural material. In 1955, Kjærholm started collaborating with manufacturer E. Kold Christensen, which lasted until his death in 1980.
The PK31 series rest on a matt chromium-plated spring steel base. The down-filled cushions are covered in your choice of leathers.
Both chairs are marked with the KC monogram and are in very good condition. The cushions are replacements professionally made in the 1980s.
Rare version of the “Kakkonen” stackable armchair No. 2. /15. Manufactured by Oy Huonekalu-ja Rakennustyötehdas Ab, Turku, Finland. 1930s.
Finmar label to the underside.
A good example of Aaltos formative years and early designs; this chair is made from laminated and solid birch and retains its original black finish.
Co-designed by Alvar Aalto and Otto Korhonen in 1930, the chair was manufactured over the years as four differing versions. This version is the rarest of the four. The design is similar to one of other versions in that the front legs protrude at the side. However, the front edge of the seat on this version is formed as a more severe right angle as shown in the detail fig.1 (The other version with protruding legs was rounded at the front). It also has a small decorative corner feature when seen from the front that is reminiscent of traditional Chinese chairs.
The chair was illustrated in Alvar Aalto Designer, Alvar Aalto museum p.69 and in Alvar & Aino design collection Bischofberger p.21
French decorative artist and designer who specialized in furniture able to be mass-produced. He had a clean, logical style that inspired many of the new designers in the years after WWII. Gabriel’s aesthetic combined elegance with uncompromising rigour. He inspired the new generation of designers of the 1950s
Neil Morris joined his fathers well establish furniture making company in Scotland in 1938. With him he brought many new ideas for utilising the new techniques available for laminating plywood. His designs were influenced by much of the new modernist furniture he witnessed from Scandinavia. H.Morris specialised in making very thick plywood forms and were prepared to push the material to its limits, thus creating many new and innovative forms that were on the cutting edge of modernist design.
“Buoyed by a reputation for excellence, the company, with Neil Morris at the helm, set about wowing the world in yet another way – cutting edge contemporary design. With post-war rationing placing constraints on manufacturing through a necessity to use lightweight materials, furniture production required something of a creative shot in the arm, and once again the eyes of the industry looked to Morris Furniture for inspiration. Whilst other companies saw the situation as a problem, the visionary Neil Morris saw only an opportunity to alter people’s perceptions of furniture design. The result was the iconic Cloud table – a piece which won numerous design awards and still occupies a proud position today in New York’s prestigious Guggenheim museum alongside the celebrated Bambi Chair. Following the success and recognition of the cloud table, Morris Furniture experienced a period of steady growth within the furniture sector. Branching out in to additional areas as diverse as the leisure, commercial, and educational sectors, the firm demonstrated its unrivalled versatility…There was a sense of inclusion that everyone should be able to enjoy the great style and craftsmanship that came with every Morris Furniture product. This was brought further to the attention of the masses in 1958 when the company was actively involved in the promotion of all that was great and good with British furniture in the Festival of Britain”