Jan de Jong (Nl, 1917-2001) / Dom Hans van der Laan (Nl, 1904-1991)
high table (communion table) – Green stained pine wood with nails.
During the reconstruction period after WWII the Dutch architect Jan de Jong and the Dutch Benedictine monk Dom Hans van der Laan collaborated on several architectural projects including the interior furniture. They created an outstanding body of work defining the the style of the Bossche School. Jan de Jong was able to translate many of Dom v.d.Laan’s idealised concepts and ideas into pioneering buildings and spaces. They worked in such close collaboration however that it is difficult to discern the individual level of input into the furniture they designed. The artist Wim van Hoof worked with the two architects proposing different colour schemes for their projects. The original olive green surface visible on these tables derived from one of those schemes.
Dom Hans van der Laan (1904-1991) was a Dutch Benedictine monk and architect. He was a leading figure in the Dutch ‘Bossche School’. His theories on numerical ratios in architecture, in particular regarding the plastic number, were very influential.
Jan de Jong (1917-2001) was a talented craftsman-architect and student of v.d. Laan and it is claimed that in many way he surpassed his mentor.
This table is part of a collection of furniture that we have acquired. They were made for Sint Willibrordus church in Almelo in the 1960s. The church was one of the best examples from that era. Unfortunately it was knocked down in 2005 as part of an on-going series of closures.
“What I do, I do not want, and what I want, I can not do” [Dom Hans v.d.Laan]
Modernist garden chair.
1900-1930s. Oregon pine (part of a larger garden set).
Possibly Dutch but could also be of Scandinavian origin. A wonderful example of early modernist knock-down (flat-pack) furniture.
Gerard Wijnen (Netherlands, 1930-)
Armchairs, 1960 (Four available – one shown)
Bossche school architect Gerard Wijnen attended classes given by Hans Dom van der Laan in the 1960s. Wijnen was not a prolific designer and his furniture was only made through commission from the architect which accounts for its scarcity.
Wijnen was photographed sitting on one of these chairs as can be seen in the photograph from the ‘s-Hertogenbosch town archives collection.
Willem Gispen (Dutch 1890-1981)
A very rare model 5012 desk lamp in brass. Manufactured between 1931-38 – This is the later edition of the lady version that included a unique connection to the base.
Aldo van Eyck (Netherlands, 1918-1999)
Wall mounted modernist bench.
Rexine over wooden structure with painted steel supports.
This is 1 of 2 Dutch commissioned 1950s wall mounted benches designed by architect Aldo Van Eyck. Some provenance available. The bench is thought to have been designed and made as a private commission in the 1950s.
Aldo van Eyck was an award winning architect from the Netherlands and a member of CIAM. He was one of the most influential protagonists of the Structuralist architectural movement. Van Eyck lectured throughout Europe and northern America propounding the need to reject Functionalism and attacking the lack of originality in most post-war Modernism. Van Eyck’s position as co-editor of the Dutch magazine Forum helped publicise the “Team 10” call for a return to humanism within architectural design.