1960s abstract carved marble sculpture (with granite base and plinth).
Alvar Aalto (Finland 1898-1976)
Rare x3 Model 60 stacking stools. 1930s. Finmar production.
Finmar labels to the underside on two of the stools (the other shows evidence of where the label once was).
Each has a great colour and patina. The Finmar labels are recognised evidence of them being early edition genuine 1930s stools.
(Please see our other posts for more Aalto finmar furniture)
Sybold van Ravesteyn (Dutch 1889-1983)
6 x chairs with nickel frames and sprung seats.
An exceptionally rare set of six modernist chairs designed in 1927. They would have been manufactured on commission. The Centraal Museum in Utrecht has similar chairs in their collection.
Dom Hans van der Laan [Netherlands 1904-1991]
An early example of the furniture designed by the Benedictine monk/architect Dom Hans van der Laan. This oak pew/bench (settle) is believed to have come out of the Sint Stanislas Chapel, built in 1955/56 in the city of Delft in the Netherlands (building by Jan vd Laan, brother of Hans). It would have mostly likely been removed at the time when the chapel was refurbished in the 1980s-90s.
Jan de Jong (Nl, 1917-2001) / Dom Hans van der Laan (Nl, 1904-1991)
high table (communion table) – Green stained pine wood with nails.
During the reconstruction period after WWII the Dutch architect Jan de Jong and the Dutch Benedictine monk Dom Hans van der Laan collaborated on several architectural projects including the interior furniture. They created an outstanding body of work defining the the style of the Bossche School. Jan de Jong was able to translate many of Dom v.d.Laan’s idealised concepts and ideas into pioneering buildings and spaces. They worked in such close collaboration however that it is difficult to discern the individual level of input into the furniture they designed. The artist Wim van Hoof worked with the two architects proposing different colour schemes for their projects. The original olive green surface visible on these tables derived from one of those schemes.
Dom Hans van der Laan (1904-1991) was a Dutch Benedictine monk and architect. He was a leading figure in the Dutch ‘Bossche School’. His theories on numerical ratios in architecture, in particular regarding the plastic number, were very influential.
Jan de Jong (1917-2001) was a talented craftsman-architect and student of v.d. Laan and it is claimed that in many way he surpassed his mentor.
This table is part of a collection of furniture that we have acquired. They were made for Sint Willibrordus church in Almelo in the 1960s. The church was one of the best examples from that era. Unfortunately it was knocked down in 2005 as part of an on-going series of closures.
“What I do, I do not want, and what I want, I can not do” [Dom Hans v.d.Laan]