Jan de Jong (Nl, 1917-2001) / Dom Hans van der Laan (Nl, 1904-1991)
high table (communion table) – Green stained pine wood with nails.
During the reconstruction period after WWII the Dutch architect Jan de Jong and the Dutch Benedictine monk Dom Hans van der Laan collaborated on several architectural projects including the interior furniture. They created an outstanding body of work defining the the style of the Bossche School. Jan de Jong was able to translate many of Dom v.d.Laan’s idealised concepts and ideas into pioneering buildings and spaces. They worked in such close collaboration however that it is difficult to discern the individual level of input into the furniture they designed. The artist Wim van Hoof worked with the two architects proposing different colour schemes for their projects. The original olive green surface visible on these tables derived from one of those schemes.
Dom Hans van der Laan (1904-1991) was a Dutch Benedictine monk and architect. He was a leading figure in the Dutch ‘Bossche School’. His theories on numerical ratios in architecture, in particular regarding the plastic number, were very influential.
Jan de Jong (1917-2001) was a talented craftsman-architect and student of v.d. Laan and it is claimed that in many way he surpassed his mentor.
This table is part of a collection of furniture that we have acquired. They were made for Sint Willibrordus church in Almelo in the 1960s. The church was one of the best examples from that era. Unfortunately it was knocked down in 2005 as part of an on-going series of closures.
“What I do, I do not want, and what I want, I can not do” [Dom Hans v.d.Laan]
Bram van den Berg (Nl)
Stained pine wood chair.
A rare chair made after a commission from Bas van Pelt / The Hague. Circa 1953 for the youth hostel at Ockenberg-Kijckduin in The Netherlands.
This chair’s rudimentary but simple form and functional design typifies the spirit of the utilitarian design movement that surrounded the WWII period in Europe.
1950s French low bench [in the manner of Charlotte Perriand].
Solid pine wood with steel base.
Alvar Aalto (Finland 1898-1976)
Early edition Finmar / Bowman Bros. dining set. Five model 611 stacking chairs and table. This was Aalto’s first modernist chair produced.
This set came from the home (wife) of Russian /American composer Dimitri Tiomkin best known for his western scores, including Duel in the Sun, Red River, High Noon, The Big Sky, Gunfight at the O.K. Corral, and Last Train from Gun Hill.
There are Finmar labels, Bowman Brothers stamps and red ‘Aalto Design’ stamps
The set was once black but whilst in the possession of Mrs Tiomkin it was restored and taken back as close as possible to the wood colour. There is a very nice honey varnish surface.
Alvar Aalto (Finland 1898-1976)
Rare x3 Model 60 stacking stools. 1930s. Finmar production.
Finmar labels to the underside on two of the stools (the other shows evidence of where the label once was).
Each has a great colour and patina. The Finmar labels are recognised evidence of them being early edition genuine 1930s stools.
(Please see our other posts for more Aalto finmar furniture)
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Bas van Pelt (Netherlands, 1900-1945)
EMS, My Home. 1930s
Bas Van Pelt design modernist chair – The chair has been confirmed by the Bas van Pelt archives as being as a possible prototype and if not, a very rare design. Bas van Pelt often designed experimental furniture to place in the shop window and would only have the designs produced when the appropriate number of orders were received.
Bas van Pelt began his shop ‘My Home’ in The Hague, Netherlands in 1931 and within a short period the company opened showrooms in other cities such as Maastricht and Amsterdam. The domestic interior design firm focused on producing high-quality modern interior furniture. Eventually right up until into the 1990s Bas van Pelt furniture and fabrics were also sold throughout The Netherlands and beyond by well-known modernist suppliers and manufacturers such as Thonet, D3, LOV and Gispen.