Wim Rietveld (Nl.1924-85)
Double sided industrial shelving unit / room divider for De Bijenkorf. 1960s.
Ilmari Tapiovaara (Finland, 1914-1999)
model 32, ‘Wilhelmiina’ chair
Oy Wilh. Schumann AB Finland 1960s.
The Wilhelmiina 32 chair was designed in 1959. The legs are constructed in laminated birch with “fountain bend”. The suspended seat and back are in black lacquered moulded plywood.
The design is reminiscent of Alvar Aalto, whom Tapiovaara counted as a strong influence. In World War II Tapiovaara designed dugouts and field furniture to the Finnish Army, a challenging task given that only local wood and simple tools could be used, and no nails or screws were available.
Manufacturers label to the underside.
Ref: Svenskberg, Aila (ed.): Ilmari Tapiovaara: Life and Design. Translated by Jüri Kokkonen. Helsinki: Designmuseo, 2014
Gerard Wijnen (Netherlands, 1930-)
Armchairs, 1960 (Four available – one shown)
Bossche school architect Gerard Wijnen attended classes given by Hans Dom van der Laan in the 1960s. Wijnen was not a prolific designer and his furniture was only made through commission from the architect which accounts for its scarcity.
Wijnen was photographed sitting on one of these chairs as can be seen in the photograph from the ‘s-Hertogenbosch town archives collection.
Aldo van Eyck (Netherlands, 1918-1999)
Wall mounted modernist bench.
Rexine over wooden structure with painted steel supports.
This is 1 of 2 Dutch commissioned 1950s wall mounted benches designed by architect Aldo Van Eyck. Some provenance available. The bench is thought to have been designed and made as a private commission in the 1950s.
Aldo van Eyck was an award winning architect from the Netherlands and a member of CIAM. He was one of the most influential protagonists of the Structuralist architectural movement. Van Eyck lectured throughout Europe and northern America propounding the need to reject Functionalism and attacking the lack of originality in most post-war Modernism. Van Eyck’s position as co-editor of the Dutch magazine Forum helped publicise the “Team 10” call for a return to humanism within architectural design.
Poul Kjærholm (Denmark 1929-1980)
PK55 Ash wood and brushed steel dining table
1970s production. (Unmarked)
The use of steel and Allen bolts to connect the frames allowed Kjaerholm to avoid the, sometimes, imprecise process of welding. It also fulfilled his desire to show how the frames were connected, thus providing a clear legibility to his designs, and led him towards creating his first work desk and compatible chair – the PK 55 and PK 11, which appeared in 1957.
The simple looking build of the PK55 table belies a much more interesting design than is apparent at first glance. The steel base frame is actually composed of four lengths of flat steel, intersecting at each corner, with the short end leg propping up the longer, width-spanning leg. Each leg element is held together yet simultaneously pushed slightly apart with Allen bolts to give the base frame an even lighter profile and also to reveal the four separate planes.
This work table features an ash table top and satin brushed steel frame.
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