Poul Kjaerholm (Denmark, 1929-1980)
Pk101 candelabrum for Kold Christensen. 1956.
Brushed steel. Stamped ‘Denmark’. According to Michael Sheridan’s catalogue raisonne on Kjaerholm, the double-helix design of the PK101 illustrates Kjaerholm’s desire to emulate abstraction and economy of form found in the plant kingdom. The thin steel rods attached to the central tube exploit the high tensile strength of steel to reduce the rods to their minimum diameter. The rods were threaded at both ends in order to support a set of rings sized to fit the typical Danish candle commonly used at Christmas.
Together with this candelabrum we are including a set of small ball shaped candles with an extending section to fit the rings of the candelabrum – The candles are designed by Timo Sarpanava.
Poul Kjærholm (Denmark 1929-1980)
PK55 Ash wood and brushed steel dining table
1970s production. (Unmarked)
The use of steel and Allen bolts to connect the frames allowed Kjaerholm to avoid the, sometimes, imprecise process of welding. It also fulfilled his desire to show how the frames were connected, thus providing a clear legibility to his designs, and led him towards creating his first work desk and compatible chair – the PK 55 and PK 11, which appeared in 1957.
The simple looking build of the PK55 table belies a much more interesting design than is apparent at first glance. The steel base frame is actually composed of four lengths of flat steel, intersecting at each corner, with the short end leg propping up the longer, width-spanning leg. Each leg element is held together yet simultaneously pushed slightly apart with Allen bolts to give the base frame an even lighter profile and also to reveal the four separate planes.
This work table features an ash table top and satin brushed steel frame.
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French wooden constructivist side table.
1960s. Ash and Cherry wood.
1950s celestial floor lamp. Designer / manufacturer unknown.
W.(Wim) Den Boon (Netherlands, 1912-1968)Pair of triangular side tables, 1950s
chromed steel and formica board.
The Dutch architect Wim Den Boon alongside Hein Stolle and Pierre Kleykamp formed the ‘Group&’ in the period shortly after WWII as part of the Dutch ‘Goed Wonen’ (Good living) movement. They focused on designing purist interior furniture and design that fitted in seamlessly with the functionalist designs of the thirties.
By the 1950s Den Boon broke with ‘Group &’ and established himself as an independent furniture designer in The Hague. From that time and throughout the 60s he was responsible for many interiors and renovation projects, particularly in The Hague. These two tables (one shown) were designed as part of the interiors of one of those projects – The tables can be seen within the complete interior of a house in the images of Peter Voge’s biography of Den Boon.
As seen, the design of these tables was ahead of its time – There are visible influences of Rietveld and De Stijl or even the Scandinavian designs of Kjaerholm. At his best Den Boon designed some of the most futuristic interiors during the 1950s. His furniture is rare to find and most of it can only be experienced through photographic documentation.
Ref: Peter Voge “Wim Den Boon Binnenhuisarchitect”
Verner Panton (Denmark 1926-1998)
Relaxer 2 rocker chair. Circa 1970 for Rosenthal.
Rare version with multicoloured original cushion and beech wood frame.
Marcel Breuer (Hungary/usa 1902-1981)
Two stacking cream white lacquered plywood side tables. Isokon UK.
Designed by Breuer in 1936 Breuer whilst living in the UK – At that time he began to explore plywood as a material. During that period Breuer designed several classic modernist pieces that were put into production by Jack Pritchard of Isokon. We believe that these are a 60s production by John Alan. London.
Manufactured in the 1950s/60s.
Please note: We also have one other single table available – The table is a similar size to the larger one (…but is not the third one to the set) We believe that they were purchased from John Alan company in London in the 1960s where they sold individually (we have a John Alan pamphlet from the period to show this).
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