1950s celestial floor lamp. Designer / manufacturer unknown.
W.(Wim) Den Boon (Netherlands, 1912-1968)Pair of triangular side tables, 1950s
chromed steel and formica board.
The Dutch architect Wim Den Boon alongside Hein Stolle and Pierre Kleykamp formed the ‘Group&’ in the period shortly after WWII as part of the Dutch ‘Goed Wonen’ (Good living) movement. They focused on designing purist interior furniture and design that fitted in seamlessly with the functionalist designs of the thirties.
By the 1950s Den Boon broke with ‘Group &’ and established himself as an independent furniture designer in The Hague. From that time and throughout the 60s he was responsible for many interiors and renovation projects, particularly in The Hague. These two tables (one shown) were designed as part of the interiors of one of those projects – The tables can be seen within the complete interior of a house in the images of Peter Voge’s biography of Den Boon.
As seen, the design of these tables was ahead of its time – There are visible influences of Rietveld and De Stijl or even the Scandinavian designs of Kjaerholm. At his best Den Boon designed some of the most futuristic interiors during the 1950s. His furniture is rare to find and most of it can only be experienced through photographic documentation.
Ref: Peter Voge “Wim Den Boon Binnenhuisarchitect”
Poul Kjaerholm (Denmark, 1929-1980)
Pk101 candelabrum for Kold Christensen. 1956.
Brushed steel. Stamped ‘Denmark’. According to Michael Sheridan’s catalogue raisonne on Kjaerholm, the double-helix design of the PK101 illustrates Kjaerholm’s desire to emulate abstraction and economy of form found in the plant kingdom. The thin steel rods attached to the central tube exploit the high tensile strength of steel to reduce the rods to their minimum diameter. The rods were threaded at both ends in order to support a set of rings sized to fit the typical Danish candle commonly used at Christmas.
Together with this candelabrum we are including a set of small ball shaped candles with an extending section to fit the rings of the candelabrum – The candles are designed by Timo Sarpanava.
Full provenance can be made available for this item.
Poul Kjærholm (Denmark, 1929-1980)
PK9 Chairs – E. Kold Christensen, Denmark
chrome steel; leather
Kjærholm designed the ultimate functionalist furniture that was praised for its understated elegance and clean lines.
Kjærholm had a particular interest in various construction materials; especially steel, which he considered a natural material. In 1955, Kjærholm started collaborating with manufacturer E. Kold Christensen, which lasted until his death in 1980.
The PK9 series consist of splayed-legged bases on which a shaped seat is fully upholstered in black leather.
These are early edition chairs marked with the KC monogram and stamped Denmark.
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Hein Stolle (Netherlands, 1924-2006)
The Dutch architect Hein Stolle alongside Wim De Boon and Pierre Kleykamp formed the ‘Group&’ in the period shortly after WWII as part of the Dutch ‘Goed Wonen’ (Good living) movement. They focused on designing purist interior furniture and design that echoed the spirit of 1930s functionalist design but made available to a wider audience.The use of softer woods and natural materials was possibly influenced by French designers like Charlotte Perriand.
Extremely rare (1 of only a few made) armchair with adjustable back produced for De Bijenkorf 1948 by the Dutch company ‘t Spectrum.
Pine frame with rattan seat and back.
Be Niegeman Brand (Dutch mid-c20th)
Model NG-11 Beech and maple wood armchair – Goed Wonen 1950.
A rare NG-11 armchair from 1950 designed by B.Niegeman-Brand, the wife of the architect/designer Johan Niegeman (1902-77). Original fabric covers in two tones of grey wool.
Produced by the Dutch Goed Wonen (Good Living foundation, Amsterdam 1946-1968) whose aims were to “…bring living in the Netherlands to a higher level by improving the interior design in the broadest sense of the word, by promoting the production and distribution of furniture, upholstery, utensils, etc., which meet certain aesthetic, technical and social requirements.”
Lit.: The chair is featured in the Goed Wonen, fifth year – Number 5 from 1952 (see image)
Provenance: This item comes with full provenance which will be supplied with the item.
Ilmari Tapiovaara (Finland, 1914-1999)
model 32, ‘Wilhelmiina’ chair
Oy Wilh. Schumann AB Finland 1960s.
The Wilhelmiina 32 chair was designed in 1959. The legs are constructed in laminated birch with “fountain bend”. The suspended seat and back are in black lacquered moulded plywood.
The design is reminiscent of Alvar Aalto, whom Tapiovaara counted as a strong influence. In World War II Tapiovaara designed dugouts and field furniture to the Finnish Army, a challenging task given that only local wood and simple tools could be used, and no nails or screws were available.
Manufacturers label to the underside.
Ref: Svenskberg, Aila (ed.): Ilmari Tapiovaara: Life and Design. Translated by Jüri Kokkonen. Helsinki: Designmuseo, 2014
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