A dark varnished Pine and beech wood structure with green rexine doors and black painted wooden legs.
The Pirkka range by the Finnish interior architect and designer Ilmari Tapiovaara is one of the most popular Finnish furniture ranges qualifying with an almost cult status in the mid-century modern markets. The Pirkka range was designed by Ilmari Tapiovaara in 1955 and it alludes to the forms of Finnish rustic furniture.
With the mind of an explorer and soul of a craftsman, Ilmari Tapiovaara was always seeking for new solutions to improve everyday objects. Tapiovaara is especially revered as a modernist master of characteristic, human objects and surroundings.
Although Pirkka series furniture is fairly common to find, the sideboards are what can only be described as ‘rare as hen’s teeth’; possibly one of the rarest of Tapiovaara’s designs.
Georges Jouve (France, 1910- 1964) &/for Marcel Asselbur
Rare 1950s wall mirror / coat hanger with four brass arms each with a black ceramic sculptural form attached. Made for and in part with Marcel Asselbur (the two collaborated throughout the 1950s to produce domestic items)
‘Pirkka’ series table and stool, Laukaan Puu. 1950s
The Pirkka range was designed by Finnish interior architect and designer Ilmari Tapiovaara in 1955 for Laukaan Puu. The design alludes to the forms of Finnish rustic furniture. Tapiovaara was always seeking for new solutions to improve everyday objects. During his long career, Tapiovaara created dozens of iconic objects loved by the public. Tapiovaara is especially revered as a master of characteristic and human objects and surroundings. The designs of Ilmari Tapiovaara have proved their quality by remaining a part of our daily lives as interesting, still relevant, functional and aesthetic pieces of furniture.
A small sideboard originally made for Heals, London in the 1940s-50s by Vesper furniture company (Note: The small circular hole can be seen above one drawer where the Heals label would have been). Inside the drawers are made bent beech plywood.
We have two of these available as well as a small set of drawers. We believe that the sideboard was part of a set of bedroom furniture made by Vesper furniture for Heals in very limited numbers in the late 40s/ early 50s – very rare. It has design similarities to the 1950s designs by Dutch designer Cees Braakman for Pastoe furniture.
Set of four oak & wicker dining chairs. Circa 1950s.
A set of rare chairs designed by the Swiss architect Pierre Jeanneret. Pierre is known for having collaborated throughout a twenty year period from the early to mid-c20th with his brother Charles Edouard (aka. Le Corbusier). Pierre Jeanneret is mostly known for his contribution to the designs of buildings and furniture in Chandigarh, India.
Pierre experimented with strong modernist forms throughout his career such as with these chairs – The chairs were only produced in very limited numbers as were the low lounge chair versions (of which a few including ones from the collection of Michel Weill, Neuilly have been offered in important design auctions over the last ten years*)
*Literature: Christies, New York lot 214, June 2007. See also ‘L’appartement subtil’ by Michel Weill in Maison Francais 103, ’56-’57, p.44-45. Wright auctions May 2017. Lot 33.
A single one of these chairs was sold at Wright auctions in June 2017 (lot 344)
Kjærholm designed the ultimate functionalist furniture that was praised for its understated elegance and clean lines.
Kjærholm had a particular interest in various construction materials; especially steel, which he considered a natural material. In 1955, Kjærholm started collaborating with manufacturer E. Kold Christensen, which lasted until his death in 1980.
The PK9 series consist of splayed-legged bases on which a shaped seat is fully upholstered in black leather.
These are early edition chairs marked with the KC monogram and stamped Denmark.
The Dutch architect Wim Den Boon alongside Hein Stolle and Pierre Kleykamp formed the ‘Group&’ in the period shortly after WWII as part of the Dutch ‘Goed Wonen’ (Good living) movement. They focused on designing purist interior furniture and design that fitted in seamlessly with the functionalist designs of the thirties.
By the 1950s Den Boon broke with ‘Group &’ and established himself as an independent furniture designer in The Hague.
At his best Den Boon designed some of the most futuristic interiors during the 1950s. His furniture is rare to find and most of it can only be experienced through photographic documentation. This actual chair is shown next to a large table in the interior of Den Boon’s own residence in Peter Vöge’s 1989 book.
The design of this chair was inspired by traditional English spade chairs. The back rest/handle having a form similar to a garden spade. The design also shares many formal and conceptual elements with French and Scandinavian modernist designers of the period such as Charlotte Perriand and Pierre Jeanneret.
Literature: W. (WIM) DEN BOON. 1912 – 1968. PUBLICATIONS: P. Vöge – Wim den Boon 1912-1968. Binnenhuisarchitect, Rotterdam 1989