Alvar Aalto (Finland 1898-1976)
Model 901 tea trolley.
An early 1930s/40s edition – evidence of the ‘Aalto, Finland stamp’ to the underside.
It has been over-painted a few times at much early dates. It could be restored.
Bas van Pelt (Netherlands, 1900-1945)
EMS, My Home. 1930s
Bas Van Pelt design modernist chair – The chair has been confirmed by the Bas van Pelt archives as being as a possible prototype and if not, a very rare design. Bas van Pelt often designed experimental furniture to place in the shop window and would only have the designs produced when the appropriate number of orders were received.
Bas van Pelt began his shop ‘My Home’ in The Hague, Netherlands in 1931 and within a short period the company opened showrooms in other cities such as Maastricht and Amsterdam. The domestic interior design firm focused on producing high-quality modern interior furniture. Eventually right up until into the 1990s Bas van Pelt furniture and fabrics were also sold throughout The Netherlands and beyond by well-known modernist suppliers and manufacturers such as Thonet, D3, LOV and Gispen.
Jan van Bommel (Dutch mid c20th)
The Dutch architect Jan van Bommel designed this table as part of a private commission in the 1950s in Rotterdam. The table was purchased directly from the first owner.
Solid teak top with steel and wooden legs.
Aldo van Eyck (Netherlands, 1918-1999)
Wall mounted modernist bench.
Rexine over wooden structure with painted steel supports.
This is 1 of 2 Dutch commissioned 1950s wall mounted benches designed by architect Aldo Van Eyck. Some provenance available. The bench is thought to have been designed and made as a private commission in the 1950s.
Aldo van Eyck was an award winning architect from the Netherlands and a member of CIAM. He was one of the most influential protagonists of the Structuralist architectural movement. Van Eyck lectured throughout Europe and northern America propounding the need to reject Functionalism and attacking the lack of originality in most post-war Modernism. Van Eyck’s position as co-editor of the Dutch magazine Forum helped publicise the “Team 10” call for a return to humanism within architectural design.