Rare version of the “Kakkonen” stackable armchair No. 2. /15. Manufactured by Oy Huonekalu-ja Rakennustyötehdas Ab, Turku, Finland. 1930s.
Finmar label to the underside.
A good example of Aaltos formative years and early designs; this chair is made from laminated and solid birch and retains its original black finish.
Co-designed by Alvar Aalto and Otto Korhonen in 1930, the chair was manufactured over the years as four differing versions. This version is the rarest of the four. The design is similar to one of other versions in that the front legs protrude at the side. However, the front edge of the seat on this version is formed as a more severe right angle as shown in the detail fig.1 (The other version with protruding legs was rounded at the front). It also has a small decorative corner feature when seen from the front that is reminiscent of traditional Chinese chairs.
The chair was illustrated in Alvar Aalto Designer, Alvar Aalto museum p.69 and in Alvar & Aino design collection Bischofberger p.21
Finmar labels to the underside on three of the stools (the other shows evidence of where the label once was).
Four great original examples of Aaltos model 60 stools – Each has a great colour and shows patina of wear and tear as would be expected and hoped for. The Finmar labels are recognised evidence of them being early edition genuine 1930s stools.
(Please see our other posts for more Aalto finmar furniture)
W.(Wim) Den Boon (Netherlands, 1912-1968)Pair of triangular side tables, 1950s
chromed steel and formica board.
The Dutch architect Wim Den Boon alongside Hein Stolle and Pierre Kleykamp formed the ‘Group&’ in the period shortly after WWII as part of the Dutch ‘Goed Wonen’ (Good living) movement. They focused on designing purist interior furniture and design that fitted in seamlessly with the functionalist designs of the thirties.
By the 1950s Den Boon broke with ‘Group &’ and established himself as an independent furniture designer in The Hague. From that time and throughout the 60s he was responsible for many interiors and renovation projects, particularly in The Hague. These tables were designed as part of the interiors of one of those projects – The tables can be seen within the complete interior of a house in the images of Peter Voge’s biography of Den Boon.
As seen, the design of these tables was ahead of its time – There are visible influences of Rietveld and De Stijl or even the Scandinavian designs of Kjaerholm. At his best Den Boon designed some of the most futuristic interiors during the 1950s. His furniture is rare to find and most of it can only be experienced through photographic documentation.
Ref: Peter Voge “Wim Den Boon Binnenhuisarchitect”
Georges Jouve (France, 1910- 1964) &/for Marcel Asselbur
Rare 1950s wall mirror / coat hanger with four brass arms each with a black ceramic sculptural form attached. Made for and in part with Marcel Asselbur (the two collaborated throughout the 1950s to produce domestic items)
In the reconstruction period after the second world war, the Dutch architect and furniture designer Hein Stolle experimented with new materials and techniques for the cost effective mass-production of furniture. As a furniture designer, Stolle was a member of Groep & (which comprised Wim den Boon, Hein Stolle and Pierre Kleykamp, 1946-1950). In the early 1950s Stolle designed furniture for the distinguished department stores de Bijenkorf and Metz & Co, often in cooperation with Martin Visser. And in the 1950s and ‘60s he also designed various pieces of furniture for furniture factory ’t Spectrum.
Unique modernist wall cabinet was made for a 1953 exhibition Ons Huis, ons t’huis, (Our House, us at Home) held at De Bijenkorf warehouse in Amsterdam. The cabinet was exhibited at Wonderwood gallery’s exhibition of Stolle’s work in 2004 shortly before his death.
Unknown designer/maker (still researching this). Possibly H.Pander & Sons ~ Fer Semej, Elmar Berkovich or Paul Bromberg? We are currently researching this desk. Gerrit Rietveld was also reputed to have designed a few private commissions in bright colours although we would not be so bold as to attribute it to him).
It has its original paintwork that has faded in places to a tangerine/ coral colour. It has a grey/green cloth top surface. It shows some signs of age and use as would be expected and would benefit from some care and attention.