P1230227

Marcel Breuer (Hungary/usa 1902-1981)

Two stacking cream white lacquered plywood side tables. Isokon UK.

Designed by Breuer in 1936 Breuer whilst living in the UK – At that time he began to explore plywood as a material. During that period Breuer designed several classic modernist pieces that were put into production by Jack Pritchard of Isokon. We believe that these are a 60s production by John Alan. London.

Manufactured in the 1950s/60s.

Please note: We also have one other single table available – The table is a similar size to the larger one (…but is not the third one to the set) We believe that they were purchased from John Alan company in London in the 1960s where they sold individually (we have a John Alan pamphlet from the period to show this).

 

POA.

http://www.merzbau.co.uk

http://www.merzbau.vpweb.co.uk

please click on the Merzbau logo (top left) to see all of our current listings

Advertisements

Version 2

Oliver Bernard (attrib.) UK. early c20th.

SP4 desk chair. PEL furniture (Practical Equipment Ltd.). 1931-32.

The design was adapted from Thonet’s 1928-9 ss33 design (attributed to Hans & Wassili Luckhardt). It retains its original green rexine upholstery and has the metal PEL badge.

POA.

http://www.merzbau.co.uk

 

IMG_7099

Poul Kjaerholm (Denmark, 1929-1980)

Pk101 candelabrum for Kold Christensen. 1956.

Brushed steel. Stamped ‘Denmark’. According to Michael Sheridan’s catalogue raisonne on Kjaerholm, the double-helix design of the PK101 illustrates Kjaerholm’s desire to emulate abstraction and economy of form found in the plant kingdom. The thin steel rods attached to the central tube exploit the high tensile strength of steel to reduce the rods to their minimum diameter. The rods were threaded at both ends in order to support a set of rings sized to fit the typical Danish candle commonly used at Christmas.

Together with this candelabrum we are including a set of small ball shaped candles with an extending section to fit the rings of the candelabrum – The candles are designed by Timo Sarpanava.

POA.

http://www.merzbau.co.uk

http://www.merzbau.vpweb.co.uk

IMG_0312

Marcel Breuer (Hungary/usa 1902-1981)

First edition model b34 cantilever chair from the 1920s/30s for Thonet.

These early versions had the curved under-seat to the frame.

The thick velvet type fabric to the seat and back have been on the chair for many years. They may be original to the chair as we have found Breuer chairs in the Bauhaus archives with the same type of fabric.

POA.

http://www.merzbau.co.uk

http://www.merzbau.vpweb.co.uk

please click on the Merzbau logo (top left) to see all of our current listings.

P1220955

Ilmari Tapiovaara (Finland 1914-1999)

Pirkka stool for Laukaan Puu. Finland. 1950s.

Marked to the underside with full designer/ company brandished markings.

Price: 1150 Euro

http://www.merzbau.co.uk

http://www.merzbau.vpweb.co.uk

P1230424

Alvar Aalto (Finland 1898-1976)

Rare x4 Model 60 stacking stools. 1930s. Finmar.

Finmar labels to the underside on three of the stools (the other shows evidence of where the label once was).

Four great original examples of Aaltos model 60 stools – Each has a great colour and shows patina of wear and tear as would be expected and hoped for. The Finmar labels are recognised evidence of them being early edition genuine 1930s stools.

POA

(Please see our other posts for more Aalto finmar furniture)

http://www.merzbau.co.uk

website: http://www.merzbau.vpweb.co.uk

Please click on the Merzbau logo (top left) to see all of our current listings.

p1190439-18-53-15

Alexandre Noll (France, 1890-1970)

Lidded ebony wood box, signed

French sculptor and woodworker was well know for his dogmatic belief in wood, both as a material and for its spiritual qualities; the relationship between humankind and nature. His works extend to domestic objects and sometimes into the realm of sculpture – Noll was one of the most important forces in the mid-c20th who actively maintained the need to blur the distinctions between the arts and the crafts. His work reveals the organic continuity in all objects.

This exceptionally large sized, important piece by the artist (approx. 22cm long) has been carved in two parts from one large piece of dark madagascan ebony wood. It is signed underneath by the artist.

POA.

http://www.merzbau.co.uk

website: http://www.merzbau.vpweb.co.uk

please click on the Merzbau logo (top left) to see all of our current listings.