Cor Alons (Netherlands, 1892-1967)
Plywood and vinyl / Den Boer Gouda, 1950s.
71cm High; 36cm Wide (seat height 43cm)
Pair of rare side chairs – Their slightly ‘petit’ size means they can be used as side chairs, children’s chairs or vanity table chairs. Manufactured in the 1950s.
Price: 795 euro.
Elmar Berkovich (Netherlands 1897-1968)
A pair of very rare oak armchairs designed by Elmar Berkovich. Originally designed for the workers at the Shell factory although used in various environments thereafter.
They are made from an unidentified wood that is close to oak but has a very light weight to it. They were designed to be clipped together and exported easily for the factories in Dutch East Indies colonies. (Although the frames have now been glued together).
Literature: Elmar Berkovich – meubelontwerper en interieurarchitect. Stichting BONAS.
Ilmari Tapiovaara (Finland, 1914-1999)
model 32, ‘Wilhelmiina’ chair
Oy Wilh. Schumann AB Finland 1960s.
The Wilhelmiina 32 chair was designed in 1959. The legs are constructed in laminated birch with “fountain bend”. The suspended seat and back are in black lacquered moulded plywood.
The design is reminiscent of Alvar Aalto, whom Tapiovaara counted as a strong influence. In World War II Tapiovaara designed dugouts and field furniture to the Finnish Army, a challenging task given that only local wood and simple tools could be used, and no nails or screws were available.
Manufacturers label to the underside.
Ref: Svenskberg, Aila (ed.): Ilmari Tapiovaara: Life and Design. Translated by Jüri Kokkonen. Helsinki: Designmuseo, 2014
1960s Dutch child’s chair [unknown designer/maker]
Stained plywood. 39x39x35.5cm
Liberty & Co. 1890s
‘Thebes’ stool. Mahogany wood with ivorine label.
The design of this stool is a derivative of the ancient Egyptian three legged ‘Thebes’ stool, now in the collection of the British Museum, dating to 1550-1300 B.C. This was first utilised by Liberty & Co. who retailed a version of it from 1884. It was sold in their London showrooms until 1907 as well as having been retailed by Samuel Bing in Paris.
__The Austrian/Czech architect Adolf Loos (1870-1933) first used the design in his apartment in 1903 and his affection for the design was evident as he repeatedly employed it in his commissions until 1927. The stool is often misdescribed as being designed by Loos whereas it was one component within one of Loos’s total design commissions (gesamtkunstwerk)
Jan de Jong (Nl, 1917-2001) / Dom Hans van der Laan (Nl, 1904-1991)
high table (communion table) – Green stained pine wood with nails.
During the reconstruction period after WWII the Dutch architect Jan de Jong and the Dutch Benedictine monk Dom Hans van der Laan collaborated on several architectural projects including the interior furniture. They created an outstanding body of work defining the the style of the Bossche School. Jan de Jong was able to translate many of Dom v.d.Laan’s idealised concepts and ideas into pioneering buildings and spaces. They worked in such close collaboration however that it is difficult to discern the individual level of input into the furniture they designed. The artist Wim van Hoof worked with the two architects proposing different colour schemes for their projects. The original olive green surface visible on these tables derived from one of those schemes.
Dom Hans van der Laan (1904-1991) was a Dutch Benedictine monk and architect. He was a leading figure in the Dutch ‘Bossche School’. His theories on numerical ratios in architecture, in particular regarding the plastic number, were very influential.
Jan de Jong (1917-2001) was a talented craftsman-architect and student of v.d. Laan and it is claimed that in many way he surpassed his mentor.
This table is part of a collection of furniture that we have acquired. They were made for Sint Willibrordus church in Almelo in the 1960s. The church was one of the best examples from that era. Unfortunately it was knocked down in 2005 as part of an on-going series of closures.
“What I do, I do not want, and what I want, I can not do” [Dom Hans v.d.Laan]
Marcel Breuer (Hungarian, 1902-1981)
B10 table for Thonet.
A modernist table composed of an eight section chrome plated frame supporting a wooden table top.
The B10 table was designed by Marcel Breuer in 1927 for his own company Standard Möbel, and since 1930 the design has been manufactured by Thonet under the same designation. This is an early production circa 1930s (although the top has been restored at some point) The colour is a very pale blue/green. There is no Thonet company badge/label.
67 x 74 x 74 cm
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