The Dutch architect Wim Den Boon alongside Hein Stolle and Pierre Kleykamp formed the ‘Group&’ in the period shortly after WWII as part of the Dutch ‘Goed Wonen’ (Good living) movement. They focused on designing purist interior furniture and design that fitted in seamlessly with the functionalist designs of the thirties.
By the 1950s Den Boon broke with ‘Group &’ and established himself as an independent furniture designer in The Hague.
At his best Den Boon designed some of the most futuristic interiors during the 1950s. His furniture is rare to find and most of it can only be experienced through photographic documentation. This actual chair is shown next to a large table in the interior of Den Boon’s own residence in Peter Vöge’s 1989 book.
The design of this chair was inspired by traditional English spade chairs. The back rest/handle having a form similar to a garden spade. The design also shares many formal and conceptual elements with French and Scandinavian modernist designers of the period such as Charlotte Perriand and Pierre Jeanneret.
Literature: W. (WIM) DEN BOON. 1912 – 1968. PUBLICATIONS: P. Vöge – Wim den Boon 1912-1968. Binnenhuisarchitect, Rotterdam 1989
Attributed to Bossche school architect Gerard Wijnen (Netherlands, 1930-)
Dutch minimalist bench/table.1950s.
Travertine marble and grey painted wooden base.
Bossche school architect Gerard Wijnen attended classes given by Hans Dom v.d Laan in the 1960s. Wijnen was not a prolific designer and his furniture was only made through commission from the architect which accounts for its scarcity.
Gerrit Rietveld (Dutch 1888-1964) style / attributed shelving unit
Dutch 1930s – Modernist shelving unit.
provenance: Johanna Erna Else Schröder (1918 – 1992)
Johanna Erna Else Schröder (known as Han Schröder) lived in the in Utrecht, the Netherlands, together with her mother, Truus Schröder- Schrader who was also an interior decorator. The house was designed in 1924 by Gerrit Thomas Rietveld who became a friend of Schröder’s and an important influence on her future work. While a teenager, she worked on furniture design with both Rietveld and with Gerard van de Groenekan. In 1936, she attended the Federal Institute of Technology in Zurich Switzerland, graduating as an architect in 1940.
This small De Stijl / Art Deco / Modernist shelving unit was previously owned by Han Schroeder /Schröder. After the death of Han the family auctioned off her belongings including this table. It is possibly a Gerrit Rietveld design – although a definite attribution can not be given.
TC2 Floor lamp designed in 1969. White enamelled metal.
This early production lamp was produced by Artimeta Soest, Netherlands in 1972.
Inspired by the Dutch Modernist’s use of minimalist and geometric forms Aldo v.d.Nieuwelaar designed a range of products from furniture to carpet, sculptures and building schemes. From 1968 he designed a series of innovative fluorescent lighting manufactured in white and chromed steel tubes.
This floor lamp was from the TC series that were designed in 1969, originally produced in very small numbers. In 1972 Artimeta took these lamps into production – They produced limited numbers of the design until 1974 when production stopped.
The design includes the transformer in the base that acts as a counter weight. Amazingly they were also designed to be hung on the wall. They have holes underneath that enables them to clip onto the wall of so desired although they work best as minimalist light sculptures and give off a superb even warm light. The top section can be positioned by twisting the stem whilst the base remains fixed.
196 cm high x 73 cm wide x 15 cm deep (diameter of white tube 4cm)
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