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Alvar Aalto (Finland 1898-1976)
Pair of plywood model 66 chairs.

Finmar 1930s.

Great all original condition with Finmar Ivorine labels.

POA.

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Hein Stolle (NL. 1924 – 2006)

Small ‘Stolwijk’ table. Plywood and steel – Original paint.

Spectrum furniture. 1954-55

Produced for a limited period only. This rare table was designed by Hein Stolle.

Stolle was a Dutch architect and furniture designer. From 1946-1950 he was a member of the Groep &, alongside Wim den Boon and Pierre Kleykamp and during the early 1950s, in collaboration, with Martin Visser he designed furniture for the department stores de Bijenkorf and Metz & Co.

POA.

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Marcel Breuer (Hungarian, 1902-1981)

Isokon Long Chair (early 1960s production) – Upholstered plywood

The Hungarian-born, modernist architect and furniture designer was one of the masters of Modernism. Breuer extended the sculptural vocabulary he had developed in the carpentry shop at the Bauhaus into a personal architecture that made him one of the world’s most popular architects at the peak of 20th-Century design.

Breuer came to Britain in the mid-1930s following the closure of the Bauhaus by the Nazis. He became acquainted with Jack Pritchard the owner of Isokon, who suggested he design furniture for the company. Pritchard had become interested in the plywood designs of Alvar Aalto and wanted to produce similar furniture himself. The Long Chair was an adaptation of a previous design for an aluminium framed chaise Breuer had produced in 1932.

The Long Chair was designed by Breuer for the British Isokon company in 1935-36 and is considered one of the most important pieces of furniture to emerge from the inter-war modern movement.

In 1968, Pritchard licensed John Alan Designs, based in Camden, London to produce the Long Chair – John Alan manufactured the chair according to larger measurements in order to make the chair more 60s-friendly. This chair is thought to pre-date that period as it still retains the older smaller measurements. The upholstery is showing distinct signs of age and use.

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POA.

P1230227

Marcel Breuer (Hungary/usa 1902-1981)

Two stacking cream white lacquered plywood side tables. Isokon UK.

Designed by Breuer in 1936 Breuer whilst living in the UK – At that time he began to explore plywood as a material. During that period Breuer designed several classic modernist pieces that were put into production by Jack Pritchard of Isokon. We believe that these are a 60s production by John Alan. London.

Manufactured in the 1950s/60s.

Please note: We also have one other single table available – The table is a similar size to the larger one (…but is not the third one to the set) We believe that they were purchased from John Alan company in London in the 1960s where they sold individually (we have a John Alan pamphlet from the period to show this).

 

POA.

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Oliver Bernard (attrib.) UK. early c20th.

SP4 desk chair. PEL furniture (Practical Equipment Ltd.). 1931-32.

The design was adapted from Thonet’s 1928-9 ss33 design (attributed to Hans & Wassili Luckhardt). It retains its original green rexine upholstery and has the metal PEL badge.

POA.

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Poul Kjærholm (Denmark, 1929-1980)

PK9 Chairs – E. Kold Christensen, Denmark

chrome steel; leather

Kjærholm designed the ultimate functionalist furniture that was praised for its understated elegance and clean lines.

Kjærholm had a particular interest in various construction materials; especially steel, which he considered a natural material. In 1955, Kjærholm started collaborating with manufacturer E. Kold Christensen, which lasted until his death in 1980.

The PK9 series consist of splayed-legged bases on which a shaped seat is fully upholstered in black leather.

These are early edition chairs marked with the KC monogram and stamped Denmark.

POA.

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Poul Kjaerholm (Denmark, 1929-1980)

Pk101 candelabrum for Kold Christensen. 1956.

Brushed steel. Stamped ‘Denmark’. According to Michael Sheridan’s catalogue raisonne on Kjaerholm, the double-helix design of the PK101 illustrates Kjaerholm’s desire to emulate abstraction and economy of form found in the plant kingdom. The thin steel rods attached to the central tube exploit the high tensile strength of steel to reduce the rods to their minimum diameter. The rods were threaded at both ends in order to support a set of rings sized to fit the typical Danish candle commonly used at Christmas.

Together with this candelabrum we are including a set of small ball shaped candles with an extending section to fit the rings of the candelabrum – The candles are designed by Timo Sarpanava.

POA.

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